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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sabin, Robert

Year: 1963
Complete Citation:
Sabin, Robert. “Twentieth-Century Americans.” In Choral Music: A Symposium, edited by Arthur Jacobs, pp. 371-372. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “Twentieth-Century Americans.” In <i>Choral Music: A Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works
Year: 1963
Complete Citation:
Sabin, Robert. “20th-century Americans.” In Choral Music: 4 Symposium, edited by Arthur Jacobs. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “20th-century Americans.” In <i>Choral Music: 4 Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works

Schulman, Jennie

Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schwarz, K.R.

Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sherwood, Gayle

Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
Year: 1999
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sherwood, Gayle D.

Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sloat, Susanna

Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.
Notes:

Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Slonimsky, Nicholas

Year: 1975
Complete Citation:
Slonimsky, Nicholas. “Charles Ives As I Remember Him.” The Choral Journal 15, no. 5 (1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Slonimsky, Nicolas

Year: 1975
Complete Citation:
Slonimsky, Nicolas. “Charles Ives: The Man and His Music.” Choral Jour-nal 15/5 (January 1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Smith, Gregg

Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives and His Music for Chorus.” The Choral Journal, vol. 15, no. 3 (1974): 17-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Smith, Gregg. “Charles Ives: The Man and His Music; Charles Ives and His Music For Chorus.” Choral Journal 15/3 (November 1974): 17-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sokolow, Anna, choreographer

Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sperry, Ethan, and Jameson Marvin

Complete Citation:
Sperry, Ethan, and Jameson Marvin. “Male Choirs: Repertoire for Male Chorus Performed by the Harvard Glee Club From 1978-2010, Part II.” The Choral Journal, vol. 53, no. 4 (November 2012): 65-71.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works