Image
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.
Bibliography
Genres
Alwes, Chester L.
Year: 1985
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Ashbee, Andrew
Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Atlas, Allan W.
Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.Source: Book
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K. Stylistic Influences on Ives
Avery T. Sharp and James Michael Floyd
Complete Citation:
Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Balshaw, Paul A.
Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Baron, Carol Kitzes
Year: 1990
Complete Citation:
Baron, Carol Kitzes. “Dating Charles Ives’s Music: Facts and Fictions.” Journal of the American Musicological Society Vol. 28, No. 1 (Winter 1990): 20-56.Notes:
Also presented as a lecture in August 1991 at the Leighton Artists Center, Alberta Canada. Titled “Dating Ives’s Musical Manuscripts with Graphic Evidence."
Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Beal, A. C.
Year: 2013
Complete Citation:
Beal, A.C. “Why We Sing”: David Mahler’s Communities.” Journal of the Society for American Music, Vol. 7, No. 1 (2013): 1-28.Source: Journal
IV. Individual Studies by Genre
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D. Choral Works
Bernstein, Leonard
Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.Source: Book
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K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Block, Geoffrey
Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Burkholder, J. Peter
Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives and his Fathers: A Response to Maynard Solomon.” Institute for Studies in American Music Newsletter Vol. 18, No. 1 (November 1988): 8-11.Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Chronology” and “A Note on the Dating of Ives's Music.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 1-3. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
C. Chronology
C. Chronology
Christiansen, Larry A.
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Cowell, Henry
Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Crunden, Robert M.
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives’ Innovative Nostalgia.” The Choral Journal 15/4 (December 1974): 5-12.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
DeVenney, David P.
Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.Notes:
In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Duane, Ben
Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives