Richardson, Paul Akers
Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
Robinson, Bradley C.
Year: 2020
Complete Citation:
Robinson, Bradley C. “The Songs of Charles Ives: A Closer Look at Undiscovered Pedagogic Treasures for the Collegiate Voice.” Journal of Singing, vol. 76, no. 4 (2020): 403-421.Source: Journal
IV. Individual Studies by Genre
E. Songs
Sakae, Yoneda
Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Schoffman, Nachum
Year: 1977
Complete Citation:
Schoffman, Nachum. “Charles Ives’s Song ‘Vote for Names’.” Current Musicology, no. 23 (1977): 56-68.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes: Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Schulz, Thomas
Year: 1990
Complete Citation:
Schulz, Thomas. “An Election oder Nov. 2, 1920: Ein politisches Lied von Charles E. Ives.” Musica 44/6 (November-December 1990): 367-370.Source: Journal
IV. Individual Studies by Genre
E. Songs
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Sear, H.G.
Year: 1951
Complete Citation:
Sear, H.G. “Charles Ives: Song-Writer.” Monthly Musical Record (February 1951).Source: Journal
IV. Individual Studies by Genre
E. Songs
Sear, H. G.
Year: 1951
Complete Citation:
Sear, H. G. “Charles Ives, Song Writer.” Monthly Musical Record 81 (1951): 34-42.Source: Journal
IV. Individual Studies by Genre
E. Songs
Searle, Humphrey
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.Source: Book
VI. Topical Studies
G. Music Theory Analyses
Simms, Bryan R.
Year: 1999
Complete Citation:
Simms, Bryan R. “Charles Ives, Notes to 114 songs.” In Composers on Modern Musical Culture: An Anthology of Readings on Twentieth-Century Music. New York, NY: Schirmer Books, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Stahl, Dorothy
Year: 1968
Complete Citation:
Stahl, Dorothy. A Selected Discography of Solo Song: A Cumulation through 1971. Vol. 24. Detroit, MI: Information Coordinators, Detroit Studies in Music Bibliography, 1968.Notes: Provides discographic information for fifty-five Ives songs, listed alphabetically. Thirty--two songs are cited in the earlier edition (Detroit Studies in Music Bibliography, Volume 13), and forty--one songs are cited in the Supplement 1968-1969 (1970).
Source: Book
IV. Individual Studies by Genre
E. Songs
Stainton, Leslie
Year: 2012
Complete Citation:
Stainton, Leslie. “The Things Our Fathers Loved.” River Teeth Journal 14, no. 1 (Fall 2012): 93-108, 149-150.Source: Journal
IV. Individual Studies by Genre
E. Songs
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Style and Substance: ‘Ann Street’ by Charles Ives.” Perspectives of New Music, No. 4 (Spring-Summer 1977): 23-33.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Swanson, Alan
Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.Notes: Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
