Image
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.
Bibliography
Genres
Kirkpatrick, John
Year: 1968
Source: Score
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.Notes:
Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.
Source: Lecture
IV. Individual Studies by Genre
E. Songs
E. Songs
Kraft, Leo
Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Kramer, Lawrence
Year: 1984
Complete Citation:
Kramer, Lawrence. “A Complete-ly New Set of Objects.” In Music and Poetry: The Nineteenth Century and After. Berkeley, CA: University of California Press, 1984.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Lerch, Louise
Year: 1996
Complete Citation:
Lerch, Louise. “Music “Reviews: “Forty Earlier Songs,” by Charles E. Ives, edited by John Kirkpatrick.”” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 53, No. 1 (1996): 55.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes:
Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Mellers, Wilfrid
Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Meyer, Felix
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Miller, Kenneth E.
Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.Notes:
Discusses When Stars Are in the Quiet Skies.
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Murphy, Scott
Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Nathan, Hans
Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Newman, Philip Edward
Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.Notes:
Unpublished
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
E. Songs
Nixon, Marni
Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.Notes:
Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Panel Discussion
Year: 1996
Complete Citation:
“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Park, Fye-kyung
Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Parr, Sean
Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Perrin, Peter
Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives