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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ulrich, Homer

Year: 1956
Complete Citation:
Ulrich, Homer. “Review of Trio for Violin, Cello, Piano by Charles Ives.” Notes 13/3 (June 1956): 527. 
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1956
Complete Citation:
Ulrich, Homer. “Trio, for Violin, Cello, Piano.” Notes 13, no. 3 (June 1956): 527.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Urwin, Ray W.

Year: 1997
Complete Citation:
Urwin, Ray W. “Reviews of Organ Music: "Postlude in F" by Charles Ives.” Clavier, Vol. 36, No. 3 (1997): 42.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Von Glahn, D.

Year: 2006
Complete Citation:
Von Glahn, D. H. Wiley Hitchcock, Charles Ives: 129 Songs. In: American Music, Vol. 24, No. 2 (2006): 228-230.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Von Glahn, Denise

Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Walker, Ernest

Year: 1921
Complete Citation:
Walker, Ernest. 1921. “Review of Second Pianoforte Sonata, ‘Concord, Mass., 1840--1860’ and Essays Before a Sonata, by Charles Ives.” Music & Letters 2, no. 3: 287-288.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Wallach, Larry

Year: 1996
Complete Citation:
Wallach, Larry. “A Work and Its Sources: The Second Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Warburton, Thomas

Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Orchestral Music by C. Ives.” Notes 36, no. 1 (September 1, 1979): 192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ward, Jennifer A.

Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Waters, Edward N.

Year: 1941
Complete Citation:
Waters, Edward N. “Panorama de las publicationes musicales.” Boletín Latino-Americano de Música 5/5 (October 1941): 289-322.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Wells, William B.

Year: 1974
Complete Citation:
Wells, William B. “Sacred Choral Octavos” and “Psalm 150.” Notes 30, no. 3 (1974): 634-640.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Whallen, Evan

Year: 1954
Complete Citation:
Whallen, Evan. “Review of ‘The Unanswered Question’ and ‘Calcium Night Light.’” Music Library Association Notes, Second Series, Vol. 11, No. 4 (September 1954).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Whallon, Evan

Year: 1953, 1954
Complete Citation:
Whallon, Evan. Review of “The Unanswered Question, for Chamber Orchestra. “Performable Also as Chamber Music) by Charles Ives; Calcium Light, for Orchestra by Charles Ives.” Notes 11. no. 4 (September 1954): 607.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices