Kirkpatrick, John
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.Notes: Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.
Source: Lecture
IV. Individual Studies by Genre
E. Songs
Kisselgoff, Anna
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.Notes: In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Kraft, Leo
Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
Kriegsman, Alan M.
Year: 1975
Complete Citation:
Alan M. Kriegsman. “Video Homage to Charles Ives.” Washington Post, September 15, 197, sec. B, 9.Source: Newspaper
Reprints: Review of “About Charles Ives”
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews
L., Barbara
Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Lerch, Louise
Year: 1996
Complete Citation:
Lerch, Louise. “Music “Reviews: “Forty Earlier Songs,” by Charles E. Ives, edited by John Kirkpatrick.”” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 53, No. 1 (1996): 55.Source: Journal
IV. Individual Studies by Genre
E. Songs
Louis, Rémy
Year: 2009
Complete Citation:
Louis, Rémy. “DVD-Video: Sous sa bannière étoilée.” Diapason: le magazine du disque et de la musique vivante (2009): 112.Source: Magazine
D. Reviews
Year: 2010
Complete Citation:
Louis, Rémy. “DVD-Video: Secrets partagés - “Keeping Score: Revealing Classical Music.” Diapason: le magazine du disque et de la musique vivante (2010): 118.Source: Magazine (DVD Review)
D. Reviews
Year: 2016
Complete Citation:
Louis, Rémy. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2016): 98.Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews
Lubovitch, Lar, chroeographer
Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.Notes: Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Martin, J.
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Martin, John
Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
McDonagh, Don
Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes: Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
Meyer, Felix
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs