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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Allenby, David

Year: 1991
Complete Citation:
Allenby, David. “Festivals (Towards the Millennium Concert Series).” Musical Opinion 114/1363 (July 1991): 260-261.
Notes:

Regarding The Unanswered Question and Central Park in the Dark.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Andraschke, Peter

Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

ap Sion, Pwyll

Year: 2015
Complete Citation:
ap Sion, Pwyll. “American Mavericks.” Gramophone, Vol. 92 (2015): 110-111.
Source: Magazine (recording/festival review?)
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Argento, Dominick

Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Barnick, Jens

Year: 2004
Complete Citation:
Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Berg, Gregory

Year: 2019
Complete Citation:
Berg, Gregory. “Charles Ives: A Portrait in Song. Bradley Robinson, Baritone; Stacy Rodgers, Piano.” Journal of Singing, vol. 75, no. 3 (2019): 379.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Bernheimer, Martin

Year: 1966
Complete Citation:
Bernheimer, Martin. “Impressive Finale for Series.” Los Angeles Times, April 20, 1966, D14.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Binder, Daniel A.

Year: 2005
Complete Citation:
Binder, Daniel A. “The Social, Political, and Religious Views of Charles Ives as Found in His Songs.” Paper presented at the College Music Society's Great Lake Chapter Meeting. Western Kentucky University, Bowling Green, Kentucky, April 1, 2005.
Notes:

Assisted by Lawrence T. Sisk and Donald Zent.

Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Boatwright, Howard

Year: 1974
Complete Citation:
Boatwright, Howard. “The Songs.” Music Educator’s Journal 61/2 (Octo-ber 1974): 42-47.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1974
Complete Citation:
Boatwright, Howard. “The Songs.” Music Educators Journal, vol. 61, no. 2 (1974): 42-47.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1979
Complete Citation:
Boatwright, Howard. “Charles Ives: Sunrise.” Notes XXXV (March 1979): 729-730.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Boody, Charles G; Snell, Margaret

Year: 1971
Complete Citation:
Boody, Charles G; Snell, Margaret. “Minneapolis: The Charles Ives Festival, Spring 1970 - Reflections.” Current Musicology, no. 11 (January 1, 1971): 57.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Borroff, Edith

Year: 1988
Complete Citation:
Borroff, Edith. Review of ‘Internationale Symposium’: “International Symposium on American Music, 1988: Charles Ives and the American Music Tradition up to the Present.” Sonneck Society for American Music Bul-letin 14/2: 69-72.
Source: Bulletin/Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Bourdon, Buzz

Year: 2008
Complete Citation:
Bourdon, Buzz. “Dean of Canadian Film Composers Wrote More than 300 Movie Scores.” Globe & Mail, September 23, 2008, S10.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Bowman, David

Year: 1996
Complete Citation:
Bowman, David. “Three Songs by Fauré, Ives and Gershwin.” Music Teacher, Vol. 75, No. 11 (1996): 15, 17-19, 21.
Source: Journal
IV. Individual Studies by Genre
E. Songs