Allen, Sandra Gillette
Year: 1966
Complete Citation:
Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, Clifford Hugh
Year: 1970
Complete Citation:
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Andraschke, Peter
Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Andriessen, Louis
Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Argento, Dominick
Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.Source: Journal
IV. Individual Studies by Genre
E. Songs
Arnold, Gregory Palmer
Year: 1976
Complete Citation:
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and compositional style as applied to five works for chamber orchestra.” M.M. thesis, University of Houston, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Baker, John Wesley
Year: 1968
Complete Citation:
Baker, John Wesley. “Borrowed hymn tunes in the sonatas and quartets of Charles Ives.” M.A. thesis, University of California, Davis, 1968.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ballantine, Christopher
Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballard, Lincoln M.
Year: 2001
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ballentine, Christopher
Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Barnick, Jens
Year: 2004
Complete Citation:
Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Beck, Jay L.
Year: 1983
Complete Citation:
Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beck, Nancy Ann
Year: 1977
Complete Citation:
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bengford, Timothy J.
Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Benkelman, Robert Jon
Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Berg, Gregory
Year: 2019
Complete Citation:
Berg, Gregory. “Charles Ives: A Portrait in Song. Bradley Robinson, Baritone; Stacy Rodgers, Piano.” Journal of Singing, vol. 75, no. 3 (2019): 379.Source: Journal
IV. Individual Studies by Genre
E. Songs
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Berneking, Vicki Lynn
Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Binder, Daniel A.
Year: 2005
Complete Citation:
Binder, Daniel A. “The Social, Political, and Religious Views of Charles Ives as Found in His Songs.” Paper presented at the College Music Society's Great Lake Chapter Meeting. Western Kentucky University, Bowling Green, Kentucky, April 1, 2005.Notes: Assisted by Lawrence T. Sisk and Donald Zent.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs