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Bibliography

Bourgeois, Jacques

Year: 1967
Complete Citation:
Bourgeois, Jacques. “Charles Ives: Musicien perdu et retrouve.” Infor-mation & Documents 240 (March 15, 1967): 28--31.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Bowmar, Edith M. and Jean Keuterickx

Year: 1966
Complete Citation:
Bowmar, Edith M. and Jean Keuterickx. “Charles Ives.” In Meet the composers: portraits of composers. Set 2, Modern. North Hollywood, CA: Bowmar Records, 1966.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Brandstätterer, Ursula

Year: 1998
Complete Citation:
Ursula, Brandstätterer. “Sprechen über Musik… in Bildern.” Musik in der Schule 3 (May--June 1998): 114--118.
Notes:

Regarding The Unanswered Question.

Source: Journal
V. General Music Studies
C. Other

Brandt, Maarten

Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Bredeson, Carmen and Ralph Thibodeau

Year: 2002
Complete Citation:
Bredeson, Carmen and Ralph Thibodeau. “Charles Ives.” In Ten great American Composers. Berkeley Heights, NJ: Enslow, 2002.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Brown, Geoff

Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives.” The Times, October 12, 1999, 49.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Broyles, Michael

Year: 1998
Complete Citation:
Broyles, Michael. “Art Music from 1860 to 1920.” In The Cambridge His-tory of American Music, edited by David Nicholls, 244-249. Cambridge, United Kingdom: Cambridge University Press, 1998.
Source: Chapter in Book
V. General Music Studies
C. Other

Bruzaud, Radosveta

Year: 2002
Complete Citation:
Bruzaud, Radosveta. “Esquisse de la Personnalité Musicale de Charles Ives.” L’éducation Musicale (2002).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Burbank, Richard

Year: 1984
Complete Citation:
Burbank, Richard. Twentieth Century Music. London, UK: Thomas and Hudson, 1984.
Source: Book
V. General Music Studies
C. Other

Burkholder, J. Peter

Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Charles Ives: The Man and His Music.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 25-27. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles

Burton, Anthony

Year: 2004
Complete Citation:
Burton, Anthony. “Composer of the Month: Charles Ives.” BBC Music Magazine 12/10 (June 2004, 2004): 48--52.
Notes:

A general biography with sidebar of  "Style Notes." Collage by Matt Herring with photograph of Ives {Halley Erskine, E244) and various Ives related items. Displays a "Life and Times"chart compiled by Madeline Ladell (51).

Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Cameron, Catherine M.

Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.
Notes:

In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Carpenter, Patricia

Year: 1967
Complete Citation:
Carpenter, Patricia. “The Musical Object.” Current Musicology, No. 5 (1967).
Source: Journal
V. General Music Studies
C. Other

Cazé, Antoine

Year: 2008
Complete Citation:
Cazé, Antoine. “Introduction.” Revue Française D'études Américaines, no. 117 (2008): 3-5.
Source: Magazine
V. General Music Studies
C. Other

Cazé, Antoine and Adam Marks

Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Chapin, L.

Year: 1976
Complete Citation:
Chapin, L. “Charles Ives, Composer-Executive: A made-to-Order Legend.” The Christian Science Monitor, January 15, 1976, 22.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Chase, Gilbert

Year: 1955
Complete Citation:
Chase, Gilbert. “A Communication. The Music of Charles Ives.” The Kenyon Review 17, no. 3 (Summer 1955): 504-506.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Chase, Gilbert. “Introduction.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.
Source: Book
V. General Music Studies
L. Ives and America