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Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.
Bibliography
Genres
Emons, Hans
Year: 2017
Source: Book
V. General Music Studies
C. Other
C. Other
Epperson, Gordon
Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.Source: Book
V. General Music Studies
C. Other
C. Other
Espinosa, Guillermo, ed.
Year: 1956
Complete Citation:
Espinosa, Giullermo, ed. Compositores de Americas/Composers of the Americas, edited by Guillermo Espinosa. Volume 2. Washington, D.C: Secretaría General, Organización de los Estados Americanos, 1956.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Estep, Stephen
Year: 2010
Complete Citation:
Estep, Stephen. “Collections - American Piano Trios.” American Record Guide, Vol. 73, No. 6 (2010): 231-232.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Evett, Robert
Year: 1954
Complete Citation:
Evett, Robert. “Music Letter: A Post-mortem for Mr. Ives.” Kenyon Review 16 (Autumn 1954): 628-636.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1969
Complete Citation:
Evett, Robert. “Music: Shadow and Substance in Ives.” The Atlantic CCXXIII (May 1969): 110-111.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Ewen, David
Year: 1942
Complete Citation:
Ewen, David. The Book of Modern Composers, 17. New York, NY: Alfred A Knopf, 1942.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.Source: Book
V. General Music Studies
C. Other
C. Other
Year: 1971
Complete Citation:
Ewen, David. “Charles Ives.” In Composers of Tomorrow’s Music. New York, NY: Dodd, Mead & Co., 1971, 1-23.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Fairman, Richard
Year: 2015
Complete Citation:
Fairman, Richard. “Charles Ives: Symphonies Nos 1 and 2 -- Review.” FT.com. 2015.Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Falcinelli, Sylviane
Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Feinberg, Alan
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Ferris, Jean
Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.Source: Book
V. General Music Studies
C. Other
C. Other
Finch, Hilary
Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fine, Elaine
Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Finn, Robert
Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fischer, Heinz Dietrich
Year: 2001
Complete Citation:
Fischer, Heinz- Dietrich. “History and Development of the Pulitzer Prize for Music.” In Musical Composition Awards 1943--1999: From Aaron Copland and Samuel Barber to Gian--Carlo Menotti and Melinda Wagner, xvii-xxvi. Edited by Heinz--Dietrich Fischer and Erika J. Fischer. Munich, Germany: K.G. Saur, 2001.Source: Book
V. General Music Studies
Fisk, Josiah
Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews