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Bibliography

Kerner, Leighton

Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.
Notes:

Regarding The Unanswered Question.

Source: Newspaper
V. General Music Studies
C. Other

Kerr, Harrison

Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kinscella, Hazel Gertrude

Year: 1940
Complete Citation:
Kinscella, Hazel Gertrude. History Sings: Background of American Music, 499. Lincoln, NE: University Publishing Company, 1940.
Notes:

Footnote only.

Source: Book
Reprints:

Second Edition, 1948. Third Edition, 1957: 505. Fourth Edition, 1970: 384-385.

V. General Music Studies

Kirkpatrick, John

Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1963
Complete Citation:
Kirkpatrick, John. “What Music Meant to Charles Ives,” Cornell University Music Review, Vol. 6 (1963).
Notes:

Given as a talk at Ithaca College on May 22, 1963 (for the chapter of Pi Kappa Lambda).

Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, Ralph

Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues

Kitto, Gloria de Feo

Year: 1982
Complete Citation:
Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.
Notes:

A paper read at the joint meeting of the Sonneck Society, Midcontinent American Studies Association, Midwest Chapter of the American Musicological Society, and the History Special Research Interest Group of the Music Educators National Conference (1982 April 3: Lawrence, KS; University of Kansas).

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Klemm, Eberhardt

Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Knapp, David

Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.
Source: Journal
V. General Music Studies
C. Other

Knussen, Sue

Year: 1996
Complete Citation:
Knussen, Sue. “Elliott Carter in Interview.” Tempo 197 (July 1996): 3-4.
Notes:

Recounts Carter’s early acquaintance with Ives and his music (e.g., he knew the <i>Concord Sonata </i>in 1924). Also relates Ives’s influence.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Koch, Gerhard R.

Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Koch, Gerhard R. “Das Pardies liegt hinter Danbury.” Frankfurter Allgemeine Zeitung für Deutschland, February 19, 1975, 23.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Kolleritsch, Otto

Year: 1987
Complete Citation:
Kolleritsch, Otto. Entgrenzungen in der Musik. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1987.
Source: Book
V. General Music Studies

Kolodin, Irving

Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.
Source: Newspaper
VI. Topical Studies
L. Ives and America