Image
Complete Citation:
“Letters to the Editor.” Instrumentalist 23/10 (May 1969): 18.
Bibliography
Genres
no author listed
Year: 1969
Notes:
Regarding the band arrangement by William E. Rhoads.
Source: Journal
V. General Music Studies
C. Other
C. Other
Year: 1970
Complete Citation:
“Charles Ives.” In Composers of the Americas, 97-100. Washington, D.C.: Organization of American States: 97-100.Notes:
A brief biography and a list of com-positions.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
“Overtones.” Music Educators Journal, vol. 61, no. 2 (1974): 5.Source: Journal
V. General Music Studies
C. Other
C. Other
Year: 1974
Complete Citation:
Galkin, Elliot W. “Two Prophets of Music Recognized at Last.” The Sun, October 13, 1974, D3.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
“Ives, Charles.” In La musique du XXe siècle. Paris, France: R. Laffont, 1975.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
“Essays by Foreign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.Source: Journal
V. General Music Studies
B. Special Issue Journals
B. Special Issue Journals
Year: 1987
Complete Citation:
“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
“Correspondence.” Perspectives of New Music, vol. 28, no. 2 (1990): 331-334.Source: Journal
V. General Music Studies
C. Other
C. Other
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.Notes:
“The Dead” refers to the Rock group, “The Grateful Dead.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
“Life with music.” Life Association News 92, no. 8 (August 1997): 62.Source: Magazine
V. General Music Studies
C. Other
C. Other
Year: 1999
Complete Citation:
The Life of Charles Ives. Times Supplements. 1999.Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 2002
Complete Citation:
Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
“Résumés Abstracts.” Musurgia, vol. 9, no. 1 (2002): 92-95.Source: Journal
V. General Music Studies
C. Other
C. Other
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals
B. Special Issue Journals
Year: 2004
Complete Citation:
A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Festival
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles