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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Salter, Lionel

Year: 1978
Complete Citation:
Salter, Lionel. “Charles Ives.” In The Gramophone guide to classical composers. New York, NY: Crescent Books, 1978.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. "Ives." In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Salzman, Eric. “Charles Ives, American.” Commentary, August 1968, 37-43.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Saxena, Shalini

Year: 2014
Complete Citation:
Saxena, Shalini. “Charles Ives.” In Top 101 Musicians. New York, NY: Rosen Publishing, 2014.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Schans, Peter J.

Year: 1955
Complete Citation:
Schans, Peter J. “More about Charles Ives.” MONY Talks 14/7 (April 1955) 14/7: 8, 9, 15.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Schiff, David

Year: 1997
Complete Citation:
Schiff, David. “The Many Faces of Ives.” Atlantic Monthly 279/1, January 1997, 84-87.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford

Year: 1996
Complete Citation:
Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford. “Ives the Person [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schonberg, Harold C.

Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Greatest Composer: The Defiant Life of the Brilliant, Eccentric Charles Ives.” Esquire 50/6 (December 1958): 229-235.
Source: Magazine
VI. Topical Studies
A. Short Biographies and Profiles

Schrade, Leo

Year: 1955
Complete Citation:
Schrade, Leo. “Charles E. Ives: 1874-1954.” The Yale Review 44 (Summer, 1955).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Schueneman, Bruce R.

Year: 2002
Complete Citation:
Schueneman, Bruce R. Review of The Classical Music Experience: Hear and Discover the Sounds and Stories of Forty-Two Great Composers, by Julius H. Jacobson II. Library Journal 127, no. 16 (October 1 2002): 96.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Scott, Fred

Year: 1974
Complete Citation:
Scott, Fred. “Ives.” The Washington Post, October 14, 1974, B7.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Sherwood, Gayle

Year: 2001
Complete Citation:
Sherwood, Gayle. “Charles Ives and ‘Our National Malady.’” Journal of the American Musicological Society 54/3 (Fall 2001): 555-584.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Siegmeister, Elie

Year: 1943
Complete Citation:
Siegmeister, Elie. “Charles Ives.” In The music lover’s handbook. New York: William Morrow and Company, 1943.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Sites, Michael

Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses