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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Donohue, John, and Michael Petersen

Year: 1974
Complete Citation:
Donohue, John, and Michael Petersen. “Connecticut's Music Man: Charles Ives.” Hartford Courant Magazine, October 20, 1974, 2-9.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Downes, Olin

Complete Citation:
Downes, Olin. “An American Composer.” In Musical Quarterly 4 (January 1918): 23-36.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.
Notes:

<i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.
Source: Newspaper
Reprints:

In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Espinosa, Guillermo, ed.

Year: 1956
Complete Citation:
Espinosa, Giullermo, ed. Compositores de Americas/Composers of the Americas, edited by Guillermo Espinosa. Volume 2. Washington, D.C: Secretaría General, Organización de los Estados Americanos, 1956.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Evett, Robert

Year: 1954
Complete Citation:
Evett, Robert. “Music Letter: A Post-mortem for Mr. Ives.” Kenyon Review 16 (Autumn 1954): 628-636.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1969
Complete Citation:
Evett, Robert. “Music: Shadow and Substance in Ives.” The Atlantic CCXXIII (May 1969): 110-111.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Ewen, David

Year: 1942
Complete Citation:
Ewen, David. The Book of Modern Composers, 17. New York, NY: Alfred A Knopf, 1942.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1971
Complete Citation:
Ewen, David. “Charles Ives.” In Composers of Tomorrow’s Music. New York, NY: Dodd, Mead & Co., 1971, 1-23.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fosler-Lussier, Danielle

Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Frankenstein, Alfred

Year: 1960
Complete Citation:
Frankenstein, Alfred. “Charles Ives.” In The unforgettable Americans. Great Neck, N.Y., Channel Press, 1960.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles