Maltz, Richard Steven
Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Martin, Warren Charles
Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mason, Daniel Gregory
Complete Citation:
Mason, Daniel Gregory. Contemporary Composers. New York, New York: The Macmillan Company, 1918.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Massey, Drew
Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McCandless, William Edgar
Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McClure, John
Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely Giant.” Gramophone 44/527 (April 1967): 516-517.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
McDonald, Charlene Harb
Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McDonald, Matthew James
Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Metzmacher, Ingo
Year: 2005
Complete Citation:
Ingo Metzmacher. “Charles Edward Ives.” In Keine Angst vor neuen Tonen: Eine Reise in die Welt die Musik, 36-42. Berlin, Germany: Rowohlt Verlag, 2005.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Mickelsen, William Cooper
Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Miller, Ashleé Michele
Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Milligan, Terry Gilbert
Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Molinari, Leticia
Year: 2017
Source: Online article
V. General Music Studies
A. Short Biographies and Profiles
Monkman, Martin H.
Year: Year unlisted
Complete Citation:
Monkman, Martin H. “Charles Ives (1874-1954).” Coastnet. Webpage no longer active.Source: Online Resource
V. General Music Studies
A. Short Biographies and Profiles
Moore, MacDonald Smith
Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.Source: Ph. D. Disseration
Reprints: Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Moor, Paul
Year: 1948
Complete Citation:
Moor, Paul. “On Horseback to Heaven: Charles Ives.” Harper’s Magazine, Vol. 197, No. 1180, September, 1948.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Morehouse, Christopher
Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.Notes: Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Morgan, Phillip
Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Morgan, Robert P.
Year: 1974
Complete Citation:
Morgan, Robert P. “Charles Ives.” Stagebill 2/2, October 1974, 6-11.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Morin, Alexander
Year: 2002
Complete Citation:
Morin, Alexander. “Charles Ives.” In Classical music: the listener's companion. San Francisco, CA: Backbeat Books; Berkeley, CA, 2002.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
