Espinosa, Guillermo, ed.
Year: 1956
Complete Citation:
Espinosa, Giullermo, ed. Compositores de Americas/Composers of the Americas, edited by Guillermo Espinosa. Volume 2. Washington, D.C: Secretaría General, Organización de los Estados Americanos, 1956.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Evett, Robert
Year: 1954
Complete Citation:
Evett, Robert. “Music Letter: A Post-mortem for Mr. Ives.” Kenyon Review 16 (Autumn 1954): 628-636.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1969
Complete Citation:
Evett, Robert. “Music: Shadow and Substance in Ives.” The Atlantic CCXXIII (May 1969): 110-111.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Evseeva, Marina
Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ewing, James William
Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ewen, David
Year: 1942
Complete Citation:
Ewen, David. The Book of Modern Composers, 17. New York, NY: Alfred A Knopf, 1942.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1971
Complete Citation:
Ewen, David. “Charles Ives.” In Composers of Tomorrow’s Music. New York, NY: Dodd, Mead & Co., 1971, 1-23.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Fairfield, Patrick K.
Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Fessel, Pablo
Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Filho, Carlos Marigo
Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Fouse, Kathryn Lea
Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.Notes: Chapter 2 cites appearances of surrealism characteristics as defined in this paper.
Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frank, Alan Robert
Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frankenstein, Alfred
Year: 1960
Complete Citation:
Frankenstein, Alfred. “Charles Ives.” In The unforgettable Americans. Great Neck, N.Y., Channel Press, 1960.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Frankenstein, Alfred V.
Year: 1966
Complete Citation:
Frankenstein, Alfred V. “Charles Ives.” In A modern guide to symphonic music. New York, NY: Meredith Press, 1966.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Frantz, Donald Howe, Jr.
Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Friedberg, Ruth C.
Year: 1981
Complete Citation:
Friedberg, Ruth C. “Charles Ives.” In American Art Song and American Poetry. Metuchen, NJ: Scarecrow Press, 1981.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Froelich, Andrew I.
Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Fruehwald, Robert Douglas
Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gabbi, Marianna Paone
Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations