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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schlocker, Georges

Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Seckerson, Edward

Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Sinclair, James

Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
VI. Topical Studies
R. Performance Approaches

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Wickstrom, Fred

Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

no author listed

Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.
Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.
Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals