Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Ford, Keith
Year: 2007
Complete Citation:
Ford, Keith. Musicological Research - Charles Ives: Handle with Care. The Triangle of Mu Phi Epsilon, Vol. 101, No. 1 (2007): 4.Source: Journal
V. General Music Studies
B. Special Issue Journals
Glöckler, Ralph Roger
Year: 2012
Complete Citation:
Glöckler, Ralph Roger. Mr. Ives und die Vettern vierten Grades: Roman. Berlin, Germany: Elfenbein, 2012.Source: Book
XIII. Ives in Literature
B. Fiction
Hartke, Stephen
Year: 2004
Complete Citation:
Hartke, Stephen. “Center Stage: Ives: Our Musical Grandfather.” In Charles Ives: An American Original in Context, 22, 24, 26. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Johnson, Owen
Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.Source: Book
XIII. Ives in Literature
B. Fiction
Keller, James M.
Year: 2004
Complete Citation:
Keller, James M. “Notes on the Program.” May 12 (35--38); May 15, 19-20 (45--49); May 11, 13 (35--39); May 21-22, 25 (35--40, 40D, 40E); May 27--29 (38, 45-48). In Charles Ives: An American Original in Context. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Lynds, D.
Year: 1989
Complete Citation:
Lynds, D. “Charles Ives and the President of the United States.” South Dakota Review 211A (Winter 1989): 156-161.Source: Journal
XIII. Ives in Literature
B. Fiction
Ridgway, Rick
Year: 1994
Complete Citation:
Ridgway, Rick. Three Squirt Dog. New York, NY: St. Martin’s Press, 1994.Source: Book
XIII. Ives in Literature
B. Fiction
Riedel, Johannes
Year: 1975-1976
Complete Citation:
Riedel, Johannes. “Centennial Ives’s issue celebrating the USA's 200th birthday.” Student Musicologists at Minnesota, v. 6. Minneapolis, MN: University of Minnesota, Department of Music, 1976.Source: Journal
V. General Music Studies
B. Special Issue Journals
Riedel, Johannes, ed.
Year: 1975-1976
Complete Citation:
Riedel, Johannes, ed. Student musicologists at Minnesota: Centennial Ives issue celebrating the USA's 200th Birthday. Minneapolis: University of Minnesota, College of Liberal Arts, Dept. of Music, 1975-1976.Source: Journal
V. General Music Studies
B. Special Issue Journals
Riedel, Johannes (editor)
Year: 1975-1976
Complete Citation:
Riedel, Johannes. Student Musicologists at Minnesota, Vol. VI: Centennial Ives Issue Celebrating the USA’s 200th Birthday. Minneapolis, Minnesota: University of Minnesota, 1975-1976.Source: Journal
V. General Music Studies
B. Special Issue Journals
Ross, Alex
Year: 1993
Complete Citation:
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Sachs, Joel
Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Sonntag, Brunhilde
Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).Source: Journal
V. General Music Studies
B. Special Issue Journals
Thomson, David
Year: 1990
Complete Citation:
Thomson, David. Silver Light. New York: Alfred A. Knopf, 1990.Source: Book
XIII. Ives in Literature
B. Fiction
West, Paul
Year: 1994
Complete Citation:
West, Paul. “A Chocolate Malted for Charles Ives.” Conjunctions, no. 22, (1994): 322-370.Source: Journal
XIII. Ives in Literature
B. Fiction
no author listed
Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 2004
Complete Citation:
“Charles Ives: An American Original in Context.” Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Notes: Six concerts devoted to Ives's compositions and others for contrast and comparison. An-nounced as the Philharmonic's “First Ever Celebration of America's Break-through Musical Genius.”
Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals
