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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Siegmeister, Elie

Year: 1973
Complete Citation:
Siegmeister, Elie. The new music lover’s handbook. Irvington-on-Hudson, NY: Harvey House, Inc., 1973.
Source: Book
V. General Music Studies
C. Other

Silverman, Burt

Complete Citation:
Silverman, Burt illustrator. Charles Ives. In Composers and Conductors set of 32 cents stamps issued by the United States Postal Service in the “Legends of American Music” series. Issued in Cincin-nati, OH: Scott Postage Stamp Catalog, Number 3164, 1997.
Source: Postage Stamp
Reprints:

Illustration after a photograph by Halley Erskine; designed by Howard Paine of Delaplane, VA. Printed by Ashton-Polter (USA) Ltd. Nationwide sale on September 13, 1997.

XVI. Photographs and Artwork
C. Other

Slominsky, Nicholas

Year: 1949
Complete Citation:
Slominsky, Nicholas. “Etude Musical Miscellany.” Etude, April, 1949.
Source: Magazine
V. General Music Studies
C. Other

Smith, Norman E.

Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.
Notes:

Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.

Source: Book
V. General Music Studies
C. Other

Swados, Elizabeth

Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.
Notes:

Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.

Source: Book
VI. Topical Studies
I. Compositional Process

Thomas, Richard

Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, (2001): 30.
Source: Postage Stamp
Reprints:

Short biography mentioning several of Ives's compositions.

XVI. Photographs and Artwork
C. Other
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, 2001): 30.
Notes:

Short biography to acquaint collectors with Ives on the occasion of the issuing of commemorative postage stamp. Mentions several of Ives’s compositions.

Source: Magazine
XVI. Photographs and Artwork
C. Other

Voss, Egon

Year: 1970
Complete Citation:
Voss, Egon. “Bemerkungen zur Musik von Charles E. Ives (1874-1954).” Musik und Kirche 40 (1970): 145-148.
Source: Journal
V. General Music Studies
C. Other

Ward, Charles

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process

Yates, Frances A.

Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.
Source: Chapter in Book
V. General Music Studies
C. Other

no author listed

Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.
Source: Postage Stamp
Reprints:

Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.

XVI. Photographs and Artwork
C. Other
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, C5.
Source: Newspaper
V. General Music Studies
C. Other
Year: 1940, 1941
Complete Citation:
“Prologue.” Twice a Year (1940 Fall-Winter, 1941 Spring-Summer) Double Issue: 5-6: 344-348.
Notes:

Includes excerpt of Essays Before a Sonata. Gives date of <i>Essays </i>incor-rectly as “1916.”

Source: Journal
V. General Music Studies
C. Other
Year: 1946
Complete Citation:
“Neglected Works: A Symposium.” Modern Music XXIII, 1 (Winter 1946): 6-7.
Source: Journal
V. General Music Studies
C. Other
Year: 1955
Complete Citation:
“Notes of the Day.” Monthly Musical Record 85 (July-August 1955): 141-144.
Source: Journal
V. General Music Studies
C. Other
Year: 1955
Complete Citation:
“Notes of the Day (Value of Technical Skill in Composing Music).” Monthly Musical Record 85/968 (July-August): 141-144.
Source: Journal
VI. Topical Studies
I. Compositional Process
Year: 1969
Complete Citation:
“Letters to the Editor.” Instrumentalist 23/10 (May 1969): 18.
Notes:

Regarding the band arrangement by William E. Rhoads.

Source: Journal
V. General Music Studies
C. Other
Year: 1973
Complete Citation:
“A Charles Ives Commemorative Postage Stamp?” American String Teacher, Vol. 23, Issue 4 (November 1973): 37.
Source: Journal
XVI. Photographs and Artwork
C. Other
Year: 1974
Complete Citation:
“Overtones.” Music Educators Journal, vol. 61, no. 2 (1974): 5.
Source: Journal
V. General Music Studies
C. Other
Year: 1974
Complete Citation:
“Notes for NOTES.” Notes 30/3 (1974): 501-504.
Source: Journal
VI. Topical Studies
C. Other