Image
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.
Bibliography
Genres
Helms, Hans G.
Year: 1978
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
C. Other
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
C. Other
Hitchcock, H. Wiley
Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.Source: Journal
V. General Music Studies
C. Other
C. Other
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Appendix 1: Essays by For-eign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227-256. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Hodier, André
Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.Source: Book
V. General Music Studies
C. Other
C. Other
Holloway, Robin
Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes:
Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Howard, John Tasker and James Lyons
Year: 1962
Complete Citation:
Howard, John Tasker and James Lyons. Modern music: a popular guide to greater musical enjoyment. New York, NY: New American Library, 1962.Source: Book
V. General Music Studies
C. Other
C. Other
Hurley, Frank H.
Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.Notes:
Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Jillisky, Joe
Year: 1987
Complete Citation:
Jillisky, Joe. “Charles Ives in the Adirondacks.” Adirondack Magazine, May 1987.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Kassler, Jamie Croy
Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Kavanaugh, Patrick
Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Kerner, Leighton
Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.Notes:
Regarding The Unanswered Question.
Source: Newspaper
V. General Music Studies
C. Other
C. Other
Kirkpatrick, John
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Kisselgoff, Anna
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Notes:
Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Knapp, David
Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.Source: Journal
V. General Music Studies
C. Other
C. Other
Kramer, Lawrence
Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions