Image
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.
Bibliography
Genres
Morgan, Robert P.
Year: 1991
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Morton, Lawrence
Year: 1950
Complete Citation:
Morton, Lawrence. “American Culture and the Serious Composer.” Score [Los Angeles] 4/3 (May 1950): 4-9.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Nielsen, Gert Skipper and Jytte Stjerne Pedersen
Year: 1987
Complete Citation:
Nielsen, Gert Skipper and Jytte Stjerne Pedersen. Charles Ives: tanker og musik. Unlisted publisher, 1987.Source: Book
V. General Music Studies
C. Other
C. Other
Norris, Christopher
Year: 1974
Complete Citation:
Norris, Christopher. “American Pioneer.” Music and Musicians 23/2 (Octo-ber 1974): 36-40.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Northcott, Bayan
Year: 1973
Complete Citation:
Northcott, Bayan. “Sorting the Potatoes.” Music & Musicians 21/28 (April 1973): 48-49.Source: Journal
V. General Music Studies
C. Other
C. Other
Osmond, Susan
Year: 2004
Complete Citation:
Osmond, Susan. 2004. “Charles Ives, America’s Musical Visionary.” The World & I 19: 72.Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Pelaccia, Bonnie Pettengill
Year: 2002
Complete Citation:
Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Pincus, Andrew L.
Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Piotrowska, Anna G.
Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Pollikoff, Max
Year: 1963
Complete Citation:
Pollikoff, Max. “Music in Our Time.” Music Journal 21/5 (May 1963): 27, 34.Notes:
Includes a photocopy of an article, “Composer Ives Misses Debut,” from Fairfield (CT) <i>Sunday Herald</i> (October 1, 1950).
Source: Journal
V. General Music Studies
C. Other
C. Other
Ransom, John Crowe and Glenn Horowitz
Year: 1955
Complete Citation:
Ransom, John Crowe and Glenn Horowitz. “The Music of Charles Ives (a communication).” The Kenyon Review Vol. 17, No. 3 (Summer, 1955).Source: Journal
V. General Music Studies
C. Other
C. Other
Rathert, Wolfgang
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Reis, Claire Raphel
Year: 1955
Complete Citation:
Reis, Claire Raphel Reis. Composers, Conductors, and Critics. New York, NY: Oxford University Press, 1955.Source: Journal
V. General Music Studies
C. Other
C. Other
Reny, Bob
Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Reti, Rudolph
Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.Source: Book
V. General Music Studies
C. Other
C. Other
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Riedel, Johannes
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Riedel, Johannes, complier
Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.Notes:
Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.
Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Riesman, David
Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Riggs, Krista
Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America