Image
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).
Bibliography
Genres
Rosenfeld, Paul
Year: 1939
Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Rosenfeld, Paul, ed. Herbert A. Leibowitz
Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.Source: Book
V. General Music Studies
C. Other
C. Other
Salazar, Adolfo
Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.Source: Book
V. General Music Studies
C. Other
C. Other
Saminsky, Lazare
Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.Source: Book
Reprints:
Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.
V. General Music Studies
C. Other
C. Other
Schafer, William J.
Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Schlocker, Georges
Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Seckerson, Edward
Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Siegmeister, Elie
Year: 1973
Complete Citation:
Siegmeister, Elie. The new music lover’s handbook. Irvington-on-Hudson, NY: Harvey House, Inc., 1973.Source: Book
V. General Music Studies
C. Other
C. Other
Silverman, Burt
Complete Citation:
Silverman, Burt illustrator. Charles Ives. In Composers and Conductors set of 32 cents stamps issued by the United States Postal Service in the “Legends of American Music” series. Issued in Cincin-nati, OH: Scott Postage Stamp Catalog, Number 3164, 1997.Source: Postage Stamp
Reprints:
Illustration after a photograph by Halley Erskine; designed by Howard Paine of Delaplane, VA. Printed by Ashton-Polter (USA) Ltd. Nationwide sale on September 13, 1997.
XVI. Photographs and Artwork
C. Other
C. Other
Sinclair, James
Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Slominsky, Nicholas
Year: 1949
Complete Citation:
Slominsky, Nicholas. “Etude Musical Miscellany.” Etude, April, 1949.Source: Magazine
V. General Music Studies
C. Other
C. Other
Smith, Norman E.
Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.Notes:
Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.
Source: Book
V. General Music Studies
C. Other
C. Other
Thomas, Richard
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, 2001): 30.Notes:
Short biography to acquaint collectors with Ives on the occasion of the issuing of commemorative postage stamp. Mentions several of Ives’s compositions.
Source: Magazine
XVI. Photographs and Artwork
C. Other
C. Other
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, (2001): 30.Source: Postage Stamp
Reprints:
Short biography mentioning several of Ives's compositions.
XVI. Photographs and Artwork
C. Other
C. Other
Voss, Egon
Year: 1970
Complete Citation:
Voss, Egon. “Bemerkungen zur Musik von Charles E. Ives (1874-1954).” Musik und Kirche 40 (1970): 145-148.Source: Journal
V. General Music Studies
C. Other
C. Other
Wickstrom, Fred
Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Yates, Frances A.
Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
no author listed
Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.Source: Postage Stamp
Reprints:
Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.
XVI. Photographs and Artwork
C. Other
C. Other
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, C5.Source: Newspaper
V. General Music Studies
C. Other
C. Other
Year: 1940, 1941
Complete Citation:
“Prologue.” Twice a Year (1940 Fall-Winter, 1941 Spring-Summer) Double Issue: 5-6: 344-348.Notes:
Includes excerpt of Essays Before a Sonata. Gives date of <i>Essays </i>incor-rectly as “1916.”
Source: Journal
V. General Music Studies
C. Other
C. Other