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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Dickinson, Peter

Year: 1968
Complete Citation:
Dickinson, Peter. “Charles Ives.” Music in Education 32/331 (May--June 1968): 138--140, 157.
Notes:

Includes seven musical examples (139). Closes with the infamous misquotation of Schoenberg (157).

Source: Journal
VI. Topical Studies
T. Ives in Music Education

Domin, Wolfgang

Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Dubal, David

Year: 2001
Complete Citation:
Dubal, David. The essential canon of classical music. New York, NY: North Point Press, 2001.
Source: Book
V. General Music Studies
C. Other

Duckworth, William

Year: 1972
Complete Citation:
Duckworth, William. “Musical Pedagogy and the Fear of Crippling Individualism.” American Music Teacher, vol. 21, no. 3 (1972): 26-27.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Duke, Vernon [Vladimir Dukelsky]

Year: 1963
Complete Citation:
Duke, Vernon [Vladimir Dukelsky]. Listen Here! A Critical Essay on Music Depreciation. New York, NY: Ivan Obolensky, 1963.
Notes:

Gives numerous interesting and incisive remarks about various musical topics and com- posers; places Ives high in the overall picture of American music.

Source: Book
V. General Music Studies
C. Other

Dunning, Jennifer

Year: 1985
Complete Citation:
Dunning, Jennifer. “Dance: Sokolow Group in a Suite Set to Ives.” The New York Times, December 15, 1985.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Emons, Hans

Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.
Source: Book
V. General Music Studies
C. Other

Epperson, Gordon

Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.
Source: Book
V. General Music Studies
C. Other

Ewen, David

Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.
Source: Book
V. General Music Studies
C. Other

Ferris, Jean

Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.
Source: Book
V. General Music Studies
C. Other

Freer, Patrick K.

Year: 2014
Complete Citation:
Freer, Patrick K. “From the Academic Editor: ‘Years of Progress’—‘Music Educators Journal’ from 1964 to 1989 (Volumes 51-75).” Music Educators Journal, vol. 100, no. 3 (2014): 18-19.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Friskin, James and Irwin Freundlich

Year: 1954
Complete Citation:
Friskin, James and Irwin Freundlich. Music for Piano: A Handbook of Concert and Teaching Material from 1580 to 1952. The Field of Music, Volume 5. New York, NY: Rinehart & Company, 1954.
Source: Book
VI. Topical Studies
T. Ives in Music Education

Gordon, Philip

Year: 1950
Complete Citation:
Gordon, Philip. “Rehearsing Contemporary Music.” Music Educators Journal, vol. 37, no. 2 (November-December 1950): 32-38.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Helm, Everett

Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.
Source: Journal
V. General Music Studies
C. Other

Helms, Hans G., Stefan Fricke and Achim Huber

Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.
Source: Book
V. General Music Studies
C. Other

Heß, Frauke

Year: 1999
Complete Citation:
Heß, Frauke. “Der Mensch, ein Gewohnheitstier...- Hören jenseits ausgetretener Pfade. Unterrichtsanregungen zu Charles Ives.” Musik in der Schule, Vol. 12, No. 3 (1999): 130-135.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Highet, Gilbert

Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.
Source: Book
V. General Music Studies
C. Other

Hitchcock, H. Wiley

Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.
Source: Journal
V. General Music Studies
C. Other

Hitchcock, H. Wiley, and Vivian Perlis, eds.

Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Appendix 1: Essays by For-eign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227-256. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
C. Other

Hodier, André

Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.
Source: Book
V. General Music Studies
C. Other