Image
Complete Citation:
Burbank, Richard. Twentieth Century Music. London, UK: Thomas and Hudson, 1984.
Bibliography
Genres
Burbank, Richard
Year: 1984
Source: Book
V. General Music Studies
C. Other
C. Other
Burk, James M.
Year: 1973
Complete Citation:
See: James M. Burk. “From Our Readers.” Music Journal 31/10 (De-cember 1973): 38.Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
C. Other
Burkholder, J. Peter
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.Source: Ph.D. dissertation
Reprints:
Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Call, William Anson
Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cameron, Janet
Year: Year unlisted
Complete Citation:
Cameron, Janet. “An Analysis of the First Movement of the First Piano Sonata by Charles Ives.” Seminar paper, University of Illinois, year unlisted.Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Cantrick, Susan Birdsall
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Carleton, Chantal
Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Carlson, Paul Bollinger
Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Carpenter, Patricia
Year: 1967
Complete Citation:
Carpenter, Patricia. “The Musical Object.” Current Musicology, No. 5 (1967).Source: Journal
V. General Music Studies
C. Other
C. Other
Catmull, Joan Carol
Complete Citation:
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A. thesis, Brigham Young University, 1969.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Cazé, Antoine
Year: 2008
Complete Citation:
Cazé, Antoine. “Introduction.” Revue Française D'études Américaines, no. 117 (2008): 3-5.Source: Magazine
V. General Music Studies
C. Other
C. Other
Chau, Paul S.
Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Chernov, Eric B.
Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Chien, Gloria
Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Childs, Barney
Year: 1976
Complete Citation:
Childs, Barney. “Some Anniversaries.” American Society of University Composers Proceedings 9 and 10 (1976): 13-27.Source: Journal
V. General Music Studies
C. Other
C. Other
Clarke, Gary E.
Year: 1965
Complete Citation:
Clarke, Gary E. "A study of the music of Charles Edward Ives.” B.A. thesis, Cornell College, 1965.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Clark, Philip Steven
Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses