Raynes, Bethany
Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rayson, John Baird
Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Reis, Claire Raphel
Year: 1955
Complete Citation:
Reis, Claire Raphel Reis. Composers, Conductors, and Critics. New York, NY: Oxford University Press, 1955.Source: Journal
V. General Music Studies
C. Other
Reny, Bob
Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Reti, Rudolph
Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.Source: Book
V. General Music Studies
C. Other
Riedel, Johannes
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Riedel, Johannes, complier
Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.Notes: Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.
Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Riepe, Russell
Year: 1969
Complete Citation:
Riepe, Russell. “Charles Ives: Robert Browning Overture.” M.A. Thesis, University of Rochester, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Riley, Owen Howard
Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rodriguez, Paul Anthony
Year: 1985
Complete Citation:
Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rodriguez, Yolanda Maxine
Year: 2008
Complete Citation:
Rodriguez, Yolanda Maxine. “The influence of Charles Ives on the solo piano music of John Cage.” M.M. Thesis, California State University, Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rosenfeld, Paul
Year: 1929
Complete Citation:
Rosenfeld, Paul. An Hour with American Music. Philadelphia, PA: J.B. Lippincott, 1929.Source: Book
V. General Music Studies
C. Other
Rosenfeld, Paul, ed. Herbert A. Leibowitz
Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.Source: Book
V. General Music Studies
C. Other
Rossomando, Fred Edward
Year: 1971
Complete Citation:
Rossomando, Fred Edward. “A Conductor's Guide to the Third Symphony of Charles Ives.” M.M. Thesis, Indiana University, 1977.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ruckert, George
Year: 1967
Complete Citation:
Ruckert, George. “Charles Ives' four violin sonatas.” M.A. Thesis, Queens College, 1967.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ruff, Erwin
Year: 1942
Complete Citation:
Ruff, Erwin. “A Study of Five Songs of Charles Ives.” M.A. thesis, Eastman School of Music, The University of Rochester, 1942.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rutledge, John Alvin
Year: 1975
Complete Citation:
Rutledge, John Alvin. “A quartet for Charles Ives.” M.S. Thesis, Boston University, 1975.Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Salazar, Adolfo
Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.Source: Book
V. General Music Studies
C. Other
Saminsky, Lazare
Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.Source: Book
Reprints: Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.
V. General Music Studies
C. Other
Sarette, Gregory L.
Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
