Finnissy, Michael
Year: 1985
Complete Citation:
Finnissy, Michael. “Almeida Festival: Nancarrow and Ives.”Tempo 154 (September 1985): 45-46.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Gann, Kyle
Year: 1994
Complete Citation:
“How Peculiar?” Village Voice 39/24 (June 14, 1994): 84.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Gantz, Jeffrey
Year: 2013
Complete Citation:
Gantz, Jeffrey. “Ives Celebration Looks at Lesser-Known Works.” The Boston Globe, October 22, 2013.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Goldman, Mary K.
Year: 2015
Complete Citation:
Goldman, Mary K. “Celebrating the Independent Yankee Spirit of Charles Ives.” Buffalo News, April 11, 2015.Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Griffiths, Paul
Year: 1996
Complete Citation:
Griffiths, Paul. “Burnishing Ives’s Reputation Yet Again.” The New York Times (November 5, 1996) C: 13-14.Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Grout, Donald J.
Year: 1961
Complete Citation:
Grout, Donald J. “Report on the New York Meeting of the International Musicological Society / Rapport Sur La Session De La Société Internationale De Musicologie à New York / Bericht Über Den New Yorker Kongreß Der Internationalen Gesellschaft Für Musikwissenschaft.” In The World of Music, vol. 3, no. 6 (1961): 139-140.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Grözinger, Jürgen
Year: 2001
Complete Citation:
Grözinger, Jürgen. “The American Way: Das Festival «Neue Musik Im Stadthaus Ulm» 7. Bis 18. Oktober 2001.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 62-63.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Hamad, Michael
Year: 2017
Complete Citation:
Hamad, Michael. “Charles Ives Concert Series; Weeklong Music Festival Returns; Opens Today in Danbury.” The Hartford Courant, August 6, 2017.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2017
Complete Citation:
Hamad, Michael. “Weeklong Concert Series Pairs the Music of Charles Ives with Today's Composers.” Hartford Courant, August 1, 2017.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Harvey, Mark
Year: 2004
Complete Citation:
Harvey, Mark. “A True Original.” The New York Times 2, May 23, 2004, 2.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Hayes, Malcolm
Year: 1985
Complete Citation:
Hayes, Malcolm. “Almeida Festival: Antheil, Vivier et al.” Tempo 154 (Sep-tember 1985): 46-49.Source: Review of Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.Source: Journal
V. General Music Studies
C. Other
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
Hitchcock, H. Wiley
Year: 1974
Complete Citation:
Hitchcock, H. Wiley. “Report on the Charles Ives Centennial Festival-Conference, 17-21 October 1974.” Newsletter - Institute for Studies in American Music 4, no. 1 (Fall 1974): 1.Source: Newsletter
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.Source: Journal
V. General Music Studies
C. Other
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Appendix 1: Essays by For-eign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227-256. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
C. Other
Hodier, André
Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.Source: Book
V. General Music Studies
C. Other
Holloway, Robin
Year: 1996
Complete Citation:
Holloway, Robin. “Use Your Ears Like a Man.” Spec-tator 276/8740 (January 20, 1996): 42.Notes: Ives is unambigu-ously among the great composers.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes: Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other