Image
Complete Citation:
Anderson, Jack. “City Ballet Joins ‘Ivesiana,’ ‘Calcium Light Night.’” The New York Times. May 28, 47.
Bibliography
Genres
Anderson, Jack
Year: 1978
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1989
Complete Citation:
Anderson, Jack. “Small--Town America.” The New York Times, February 14, 1989, sec. C, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Year: 1992
Complete Citation:
Anderson, Jack. “Review/Dance; Lubovitch Vignettes Set to Ives: Review.” The New York Times, January 31, 1992.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times. October 14, 1993, sec. C: 18.Notes:
Like Ives’s music, Ms. Blankert’s production combined tough mindedness with sentiment.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times. June 15, 1999, sec. E: 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Ashley, Roberta
Year: 1965
Complete Citation:
Ashley, Roberta. “Ballet Goes Pop: Look what the Stately San Francisco Ballet is Up To.” The Sun, April 11, 1965, WM11.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Baily, Dee
Year: 1978
Complete Citation:
Baily, Dee. “A Report on the American Musicological Society/Music Library Association Translations Center.” Notes 35/1 (1978): 57-60.Source: Journal
V. General Music Studies
C. Other
C. Other
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Barnes, Clive
Year: 1966
Complete Citation:
Barnes, Clive. “Ives sans Currier.” The New York Times. December 5, 1966: 65.Notes:
“It is a strange engrossing bal-let. Charles Ives was a strange, engrossing composer.” John Tuvas, choreographer.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Bässler, Hans
Year: 2010
Complete Citation:
Bässler, Hans. “Thema: Kein Geld - keine Musik. Einfach nur schnell: Musizierstück “Rapido.” Workshop Pop: “Komm, wir malen uns das Leben.” SMS short music stories: “Die GEMA” und "Charles Ives.”” Mainz, Germany: Schott, 2010.Source: Book
V. General Music Studies
C. Other
C. Other
Bernheimer, Martin
Year: 1976
Complete Citation:
Bernheimer, Martin. “Dance Review: ‘Ivesiana’ by L.A. Ballet.” Los Angeles Times, August 3, 1976, E7.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Block, Geoffrey
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Brandstätterer, Ursula
Year: 1998
Complete Citation:
Ursula, Brandstätterer. “Sprechen über Musik… in Bildern.” Musik in der Schule 3 (May--June 1998): 114--118.Notes:
Regarding The Unanswered Question.
Source: Journal
V. General Music Studies
C. Other
C. Other
Brown, Ray
Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Broyles, Michael
Year: 1998
Complete Citation:
Broyles, Michael. “Art Music from 1860 to 1920.” In The Cambridge His-tory of American Music, edited by David Nicholls, 244-249. Cambridge, United Kingdom: Cambridge University Press, 1998.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Buchau, Stephanie von
Year: 1976
Complete Citation:
Buchau, Stephanie von. “Meeting Mr. Ives.” Opera News 40 (May 1976): 39-40.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews