Image
decorative banner image

Bibliography

Hodier, André

Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.
Source: Book
V. General Music Studies
C. Other

Hornsby, Bruce R.

Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.
Notes:

Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.

Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Howard, John Tasker and James Lyons

Year: 1962
Complete Citation:
Howard, John Tasker and James Lyons. Modern music: a popular guide to greater musical enjoyment. New York, NY: New American Library, 1962.
Source: Book
V. General Music Studies
C. Other

Huntington, Anna

Year: Pre-1966
Complete Citation:
Huntington, Anna. Bronze bust. Sculpture, 1966. Danbury, CT: Danbury Museum and Histori-cal Society (formerly Scott--Fanton Museum). Photograph in HiFi/Stereo Review 17/1 (July 1966): 72.
Source: Sculpture
Reprints:

Another is in the lobby of the Charles Ives Recital Hall, Western Connecticut State College, Dan-bury.

XVI. Photographs and Artwork
B. Artwork

Kerner, Leighton

Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.
Notes:

Regarding The Unanswered Question.

Source: Newspaper
V. General Music Studies
C. Other

Kisselgoff, Anna

Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Notes:

Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Kitaj, R. B.

Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.
Notes:

Based on a photograph by W. Eugene Smith.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Knapp, David

Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.
Source: Journal
V. General Music Studies
C. Other

Kramer, Norman

Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).
Notes:

A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.

Source: Poster
XVI. Photographs and Artwork
B. Artwork

Kueffer, Bruce

Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.
Source: Sculpture
XVI. Photographs and Artwork
B. Artwork

Lang, Paul Henry and Bettmann, Otto

Year: 1960
Complete Citation:
Lang, Paul Henry and Otto Bettmann. A Pictorial History of Music, 232-233. New York, NY: W.W. Norton, 1960.
Notes:

A brief statement. Includes a photograph by Frank Gerratana.

Source: Book
V. General Music Studies
C. Other

Levine, David

Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.
Notes:

Printed by Stephen Sholinsky.

Source: Etching
XVI. Photographs and Artwork
B. Artwork

Mainieri, Mike

Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.
NYC Records, 6015, 1995, CD.
Notes:

Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>

Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

[Maloy?], Carl

Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork

Marcotte, Gilles

Year: 1997
Complete Citation:
Marcotte, Gilles. “L’amateur de musique: Des musiques qui parlent.” Lib-erie 39/231 (June 1997): 180-186.
Source: Journal
V. General Music Studies
C. Other

Martin, Michael Rheta

Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.
Notes:

A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other

McNeely, Tom

Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.
Notes:

Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.

Source: Watercolor
XVI. Photographs and Artwork
B. Artwork

Nielsen, Gert Skipper and Jytte Stjerne Pedersen

Year: 1987
Complete Citation:
Nielsen, Gert Skipper and Jytte Stjerne Pedersen. Charles Ives: tanker og musik. Unlisted publisher, 1987.
Source: Book
V. General Music Studies
C. Other

Norkin, Sam

Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.
Notes:

After the photograph by W. Eugene Smith.

Source: Magazine
XVI. Photographs and Artwork
B. Artwork