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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hiekel, Jörn Peter

Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Highet, Gilbert

Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.
Source: Chapter in Book
Reprints:

Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hiller, Egbert

Year: 2011
Complete Citation:
Hiller, Egbert. “«Manische Entwicklungslinien»: Der Ungarische Komponist Martin Illés.” Neue Zeitschrift Für Musik, vol. 172, no. 1 (2011): 46-49.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hitchcock, H. Wiley

Year: 1974
Complete Citation:
Hitchcock, H. Wiley. “Report on the Charles Ives Centennial Festival-Conference, 17-21 October 1974.” Newsletter - Institute for Studies in American Music 4, no. 1 (Fall 1974): 1.
Source: Newsletter
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1985
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana. The Gottschalk Connection.” Institute for Studies in American Music Newsletter 15/1 (November 1985): 5.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. “Keynote Address: Ives and Copland: An Odd Couple, and Yet…” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hitchcock, H. Wiley, and Vivian Perlis, eds.

Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 187-208. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hitchcock, H. Wiley and Vivian Perlis, eds.

Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis, eds. An Ives Celebration. Urbana, IL: University of Illinois Press, 1977.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Hitchcock, H. Wiley, ed.

Year: 1974
Complete Citation:
Hitchcock, H. Wiley, ed. Charles Ives Centennial Festival-Conference. New York, NY: G. Schirmer and Associated Music Publishers, 1974.
Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1981
Complete Citation:
Hitchcock, H. Wiley. “Schoenberg on Ives.” Institute for Studies in American Music Newsletter (May 1981) 10/2: 5.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder

Year: 1993
Complete Citation:
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder. “Ives and Copland and Their Contribution to an American Mythol-ogy.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hoek, D. J.

Year: 2004
Complete Citation:
Hoek, D.J. “Documenting the International Avant Garde: Earle Brown and the Time-Mainstream Contemporary Sound Series.” Notes 61/2 (2004): 350-360.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1996
Complete Citation:
Holloway, Robin. “Use Your Ears Like a Man.” Spec-tator 276/8740 (January 20, 1996): 42.
Notes:

Ives is unambigu-ously among the great composers.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hommel, Friedrich

Year: 1985
Complete Citation:
Hommel, Friedrich. “Andere funfziger Jahre? Familienbild mit Ives, Cowell, Varese und Cage.” In Die Musik der funfziger Jahre, 39-47, edited by Carl Dahlhaus. Veroffentlichungen des Instituts fur Neue Musik und Musik-erziehung Darmstadt, Vol. 26. Mainz, Germany: Schott, 1985.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Horowitz, Joseph

Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy