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Bibliography

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Year: 1995
Complete Citation:
“CD Review.” The Sun-Herald, October 15, 1995, 136.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1995
Complete Citation:
“Single Play; Charles Ives and Paul Creston: Second Symphonies Detroit Symphony / Neeme Jarvi (Chandos CHAN 9390). John Taverner: Western Wind Mass, etc Tallis Scholars, Directed by Peter Phillips (Gimell CDGIM 995).” The Independent, September 1, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
“Spooky Superlatives for Boulder Concert.” Denver Post, November 1, 1997, B-03.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
“Ives and Yale: The Enduring Influence of a College Experience.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Ives and Yale: The Enduring Influence of a College Experience.” <i>College Music Symposium</i> 39 (1999): 27--42.

VI. Topical Studies
O. Ives and Yale
Year: 1998
Complete Citation:
Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Festival
VI. Topical Studies
O. Ives and Yale
Year: 1998
Complete Citation:
“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1998
Complete Citation:
Inaugural Celebration of the Classical Music Hall of Fame. Music Hall, Cincinnati, Ohio, May 24, 1998.
Notes:

See also Editorials in Cincinnati Post (May 22) and Cincinnati En-quirer (May 24).

Source: Ceremony
VI. Topical Studies
V. Awards
Year: 1999
Complete Citation:
Tucker, Dan. “Universalizing Ives Deutsche Kammerphilharmonie a Match for Music: Chicago Sports Final Edition.” Chicago Tribune, November 2, 1999.
Notes:

Special to the Tribune

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
“Concord Days.” The New York Times, May 9, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
“On Stage a Stand-Up Kind of Guy; Musical Notes Ives of March. SPECIAL EVENTS Eve’s Dropping. NEXT WEEK Iron, Silk and Ink: HOME Edition.” Daily Breeze, March 30, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Compact Discs: Klavier im Quadrat.” Dissonanz (2002): 38.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
“Evening the Score for Charles Ives: FINAL Edition.” The Washington Post, March 17, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Friday Review: Classical CD: Ives: From the Steeples and the Mountains; the Unanswered Question; Three Places in New England; Songs.” The Guardian, March 22, 2002, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
“The Great American Innovator.” Daily Post [Conwy, Wales], June 7, 2002, 24.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
“Ives Still has Bite.” Herald Sun (Melbourne, Victoria, Australia), June 18, 2002, 55.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Footlights: Marching to Many Beats.” The New York Times, August 15, 2002, E1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
“Let’s Hear it First for Ives.” Birmingham Evening Mail, January 15, 2003, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances