Image
Complete Citation:
Darrell, R.D., comp. “Living American Composers: A List with Notes on the Recordings or Recording Possibilities.” Music Lovers’ Guide 2 (February, 1934): 173.
Bibliography
Genres
Darrell, R.D., comp.
Year: 1934
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Davenport, Linda G.
Year: 1990
Complete Citation:
Davenport, Linda G. “A Teaching Idea.” Sonneck Society for American Music Bulletin 16/3 (1990): 100.Notes:
Applies to Sonata No. 2, "Concord, Mass., 1840-1860," for piano.
Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Davis Jr., Thomas B.
Year: 1938
Complete Citation:
Davis, Jr., Thomas B. Chronicles of Hopkins Grammar School, 1660--1935, Containing a Life of the Founder Together with School Records and Reminiscences Covering 275 Years, 387, 464--470. New Haven, CT: Hopkins Gram-mar School, 1938.Source: Book
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Davis, Peter
Year: 1974
Complete Citation:
Davis, Peter. “The Ives Boom on Disk: Every Sketch, Scrap and Master-piece.” The New York Times, October 20, 1974, sec. D, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Davis, Peter G.
Year: 1968
Complete Citation:
Davis, Peter G. “Mandel Offers Ives Premieres.” The New York Times, March 24, 1968, 92.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1976
Complete Citation:
Davis, Peter G. “Concert: ‘Charles Ives show,’ Outdoors: Open-Air Performance is Given Twice Paul Winter, Consort at Lincoln Center.” The New York Times, September 5, 1976, 39.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1984
Complete Citation:
Davis, Peter G. “Ives Thrives.” New York 17, no. 14 (April 2, 1984): 58.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Davis, Ronald L.
Year: 1980
Complete Citation:
Davis, Ronald L. "MacDowell and Ives." In A History of Music in American Life, Vol. 2: The Gilded Years, 1865-1920, 108-38. Huntington, NY: Robert Krieger, 1980.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davidson, Audrey
Year: 1970
Complete Citation:
Davidson, Audrey. “Transcendental Unity in the Works of Charles Ives.” American Quarterly 22 (Spring 1970): 35-44.Source: Journal
VI. Topical Studies
Davidson, Colleen
Year: 1968-69, 1970-71
Complete Citation:
Davidson, Colleen. “Winston Churchill and Charles Ives: The Progressive Experience in Literature and Song.” Student Musicologists at Minnesota 3 (1968-69): 168-94, and 4 (1970-71): 154-80.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davidson, Justin
Year: 1996
Complete Citation:
Davidson, Justin. “The Expansion of a Charles Ives Sonata.” Newsday. February 28, 1996, B7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Davidson, Justin. “Small Tones of a Big Sound: All Editions.” Newsday, June 8, 1996.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Davidson, Justin. “Music Review, A Different Drummer, the Ives of March: All Editions.” Newsday, June 1, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Davison, Justin
Year: 2004
Complete Citation:
Davidson, Justin. “Unsettling Notes, the Philharmonic Celebrates Charles Ives Complicated and Confounding Music: ALL EDITIONS.” Newsday, May 9, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
de Campos, Augusto
Year: 1969
Complete Citation:
Campos, Augusto de. “Ives salve a America.” O Estado de São Paulo. August 30, 1969.Notes:
Translates to Ives Saves America.In addition, he projects the text of “Like a Sick Eagle” as if Webern had set it (p. 324 in <i>Balango da Bossa e outras bossas</i>).
Source: Newspaper
Reprints:
Campos, Augusto de. “Ives salve a America.” In <i>Balango da Bossa e Outras Bossas</i>, 273-282. São Paulo, Brazil: Editora Per-spectiva, 1993.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
de la Fuente, Eduardo
Year: 2004
Complete Citation:
de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
De La Motte-Haber, Helga
Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
de Leeuw, Reinbert
Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches