Bibliography

Horowitz, Joseph

Year: 1994

Complete Citation:

Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.

Source: Program Booklet

VI. Topical Studies
A. Transcendentalism or Philosophy

Year: 2007

Complete Citation:

Horowitz, Joseph. “Antonin Dvorak and Charles Ives in search of America.” In Classical music in America: a history. New York, NY: W.W. Norton & Company, Inc., 2007.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 2012

Complete Citation:

Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.

Source: Book

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 2019

Complete Citation:

Horowitz, Joseph. “Mark Twain, Charles Ives, and the Uses of Vernacular Intelligence.” Raritan: A Quarterly Review, vol. 38, no. 3 (2019): 143-164.

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman

Year: 1994

Complete Citation:

Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.

Source: Conference Paper

VI. Topical Studies
A. Transcendentalism or Philosophy

Howard, John

Year: 1995

Complete Citation:

Howard, John. “Hymn and a River.” In Performing and Responding. Cambridge Assignments in Music, edited by Roy Bennett, 22-25. Cambridge, United Kingdom: Cambridge University Press, 1995.

Notes:

The author refers to <i>Three Places in New England</i>: The Housatonic at Stockbridge as the model. An accompanying compact disc is available.

Source: Book

VI. Topical Studies
T. Ives in Music Education

Howard, John Tasker

Year: 1941

Complete Citation:

Howard, John Tasker. Our Contemporary Composers: American Music in the Twentieth-Century. New York, NY: Crowell, 1941.

Source: Book

Reprints:

1943

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1942

Complete Citation:

Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.

Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Howard, John Tasker and George Kent Bellows

Year: 1967

Complete Citation:

Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hubbs, Nadine

Year: 2004

Complete Citation:

Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.

Notes:

In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.

Source: Chapter in Book

VI. Topical Studies
L. Ives and America

Year: 2019

Complete Citation:

Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.

Source: Newsletter

VI. Topical Studies
S. Reception Studies and Related Scholarship

Hughes, A.

Year: 1968

Complete Citation:

Hughes, Allen. “Suddenly, A Flurry of Ives.” The New York Times. March 10, 1968, D15.

Source: Newspaper