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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, John

Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Kirkpatrick, Ralph

Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kisselgoff, Anna

Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle: Review.” The New York Times, June 19, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Kisselgoff, Anna. “Saluting American Artistry, from Sousa to Ives to Cage: Review.” The New York Times, June 2, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kitto, Gloria de Feo

Year: 1982
Complete Citation:
Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.
Notes:

A paper read at the joint meeting of the Sonneck Society, Midcontinent American Studies Association, Midwest Chapter of the American Musicological Society, and the History Special Research Interest Group of the Music Educators National Conference (1982 April 3: Lawrence, KS; University of Kansas).

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Klein, H.

Year: 1965
Complete Citation:
Klein, Howard. “The Ives Fourth: An Audacious Yankee Masterpiece.” The New York Times, October 31, 1965, X23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Klein, H. “The Ives Fourth: An Audacious Yankee Masterpiece.” The New York Times, October 31, 1965: X23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Klein, Howard

Year: 1965
Complete Citation:
Klein, Howard. 1965. “20th--Century Music Is Offered in a Concert at the New School.” The New York Times, June 5, 1965.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Klein, Howard. “Alan Mandell, Pianist, Plays ‘Concord’ Sonata at Town Hall.” The New York Times, December 19, 1965, 84.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Klein, Howard. “Ives: A White Heat of Conviction.” The New York Times. April 16, 1967, sec. 2, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Klemm, Eberhardt

Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Knussen, Sue

Year: 1996
Complete Citation:
Knussen, Sue. “Elliott Carter in Interview.” Tempo 197 (July 1996): 3-4.
Notes:

Recounts Carter’s early acquaintance with Ives and his music (e.g., he knew the <i>Concord Sonata </i>in 1924). Also relates Ives’s influence.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Koch, Gerhard R.

Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Koch, Gerhard R. “Das Pardies liegt hinter Danbury.” Frankfurter Allgemeine Zeitung für Deutschland, February 19, 1975, 23.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Kolodin, Irving

Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.
Source: Newspaper
VI. Topical Studies
L. Ives and America