Myrick, Julian S.
Year: 1930
Complete Citation:
Myrick, Julian S. “What the Business Owes to Charles E. Ives.” Eastern Underwriter, Life Insurance Salesmanship Edition (September 19, 1930): 18.Source: Journal
VI. Topical Studies
D. Insurance
Nagano, Kent
Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick
Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
Nattiez, Jean-Jacques
Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Nauck, Gisela
Year: 1985
Complete Citation:
Nauck, Gisela. “Weimar: Charles Ives’ Concord Sonata, DDR-erstauf-geführt.” Musik und Gesellschaft 35 (July 1985): 397-398.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Nelson, Catherine
Year: 2009
Complete Citation:
Nelson, Catherine. “CD Reviews: “Patriots” - Grieg: Violin Sonatas in G Major Op. 13 & in F Major Op. 8; Ives: Violin Sonatas No. 2 & 4.” The Strad, Vol. 120 (2009): 83, 85.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Neumann, Friedrich
Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Newark, Cormac
Year: 2000
Complete Citation:
Newark, Cormac. “Knowing the Score.” The Guardian, April 28, 2000: B18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Newman, Ron
Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Newton, Catherine R.
Year: 2010
Complete Citation:
Newton, Catherine R. “A Wild Ride with Saint-Saens, Ives.” The Salt Lake Tribune, December 3, 2010.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Newton, Catherine Reese
Year: 2017
Complete Citation:
Newton, Catherine Reese. “Ives Symphony Befuddles, Delights Abravanel Crowd.” The Salt Lake Tribune, February 18, 2017.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2000
Complete Citation:
Nicholls, David. “Review of “Ives Plays Ives” (sound recording).” America Music 18 (Fall 2000): 331-33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Nicholls, David. “Ives Plays Ives: The Composer at the Piano in Four Recording Sessions, 1933-1943.” American Music 18, no. 3 (Fall 2000): 331-333.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2011
Complete Citation:
Nicholls, David. “‘The Unanswered Question of Her Son’s Biography’: New Thoughts on Mollie Ives.” Journal of the Society for American Music 5.1 (February 2011): 95-111.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
Niemöller, Klaus Wolfgang
Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Niermann, Franz
Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.Notes: Discusses Central Park in the Dark.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions