Nieuwstadt, Jacques van
Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Nimczik, Ortwin
Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Noble, David
Year: 1968
Complete Citation:
Noble, David. “Ives Work Introduced by Pianist Mandel.” The Boston Globe, March 27, 1968, 40.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Noble, David W.
Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Norman Holmes Pearson
Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Noroa, Daniel Quiroga
Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Norris, Christopher
Year: 1974
Complete Citation:
Norris, Christopher. “American Pioneer.” Music and Musicians 23/2 (Octo-ber 1974): 36-40.Source: Journal
VI. Topical Studies
L. Ives and America
Norris, Geoffrey
Year: 2014
Complete Citation:
Norris, Geoffrey. ““Gramophone” Collector: Seattle Symphony Orchestra.” Gramophone, Vol. 92 (2014): 59.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
North, Cheryl
Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
North, James H.
Year: 1998
Complete Citation:
North, James H. “Ives: “3 Places in New England,” Orchestral Set No. 2; Ruggles: “Sun-treader,” “Men and Mountains;” Crawford Seeger: Andante for Strings.” Fanfare: The Magazine for Serious Record Collectors, Vol. 21, No. 5 (1998): 146.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Ives: Symphonies: “No. 1”; “No. 2”; “No. 3”; “No. 4”; “3 Places in New England”; “Orchestral Set No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 6 (2001) 152.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; Robert Browning Overture.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 3 (2001): 202-204.Source: Magazine (book review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
North, James H. “Ives: String Quartets: No. 1; No. 2; Scherzo, ‘Holding Your Own!’; Adagio sostenuto, ‘At Sea’; Largo risoluto: No. 1; No. 2; Adagio cantabile, ‘The Innate’; ‘Hallowe’en.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 4 (2003): 123-124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
North, James H. “Ives: “Symphony No. 3. Washington's Birthday. The Unanswered Question. Central Park in the Dark. Country Band March. Overture and March ‘1776.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 1 (2003): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Classical Recordings: Ives - “Emerson Concerto,” Symphony No. 1.” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 6 (2004): 120-121.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Ives: “The Celestial Country,” “Silence Unaccompanied.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 4 (2004): 179-180.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Varied Airs and Variations”; “Waltz-Rondo”; Invention in D; Studies: No. 1; No. 2; No. 11; No. 4; No. 5; “Storm and Distress”; “Impression of 'St. Gaudens’ in Boston Common”; “The Celestial Railroad”; “Minuetto”; “3 Quarter-Tone Pieces”; 7 Marches for Piano; George Ives: Fourth Fugue.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 132-133.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Universe Symphony”; Ives: “Universe Symphony”; Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 1 (2005): 204-206.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Gershwin: “Cuban Overture”; Harbison: Symphony No. 3; Ives: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 6 (2005): 136.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: Sonata No. 2, “Concord, Mass., 1840-60”; Barber: Piano Sonata in e-flat.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 131-132.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
