Image
Complete Citation:
Pitney, Robert. “Music Chronicle: Yaddo and Gurre.” Hound & Horn 5 (July-September, 1932): 666.
Bibliography
Genres
Pitney, Robert
Year: 1932
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Pleibel, Fred
Year: 1968
Complete Citation:
Pleibel, Fred. “Music: Ives Enters LP Mainstream.” Los Angeles Times, December 22, 1968, 38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Pollack, Howard
Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Poole, Elissa
Year: 2004
Complete Citation:
Poole, Elissa. “CLASSICAL.(Charles Ives: Concord Sonata; Songs).” Globe & Mail, August 5, 2004, R4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2005
Complete Citation:
Poole, Elissa. “New Releases Classical.(A Song -- for Anything: Songs by Charles Ives).” Globe & Mail, October 7, 2005, R34.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2007
Complete Citation:
Poole, Elissa. “Classical - Charles Ives: String Quartets.” Globe & Mail. February 27, 2007, R3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2008
Complete Citation:
Poole, Elissa. “CLASSICAL: “Songs by Charles Ives” by Gerald Finley and Julius Drake.” Globe & Mail, April 22, 2008, R3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Porter, Andrew
Year: 1974
Complete Citation:
Porter, Andrew. “Songs His Father Taught Him.” New Yorker 50/37, November 4, 1974, 187-190.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1975
Complete Citation:
Porter, Andrew. “Musical Events: The Sounds of Summer.” The New Yorker 51, no. 15 (June 2, 1975): 86-89.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Porter, Cecelia H.
Year: 1967
Complete Citation:
Porter, Cecelia H. “Mandel Plays at National Gallery.” The Washington Post and Times Herald, May 2, 1967, D11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Porter, David
Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Poteete, Robert A.
Year: 1954
Complete Citation:
Poteete, Robert A. “Jew's Harp Call Draws 24 Players.” New York Herald Tribune, February 17, 1954, 12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Potter, Hugh
Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.Notes:
Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Potter, Keith
Year: 1998
Complete Citation:
Potter, Keith. “Classical: Sadly Second Rate Charles Ives Bournemouth SO Poole: Final Edition.” The Independent, December 15, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Pouzzi, Raffaele, and Louise Forster
Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Price, Jonathan
Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.Source: Journal
Reprints:
Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale