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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Saffle, Michael, ed.

Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Sales, Grover

Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Salis, Giannis

Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.
Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives

Salzedo, Carlos

Year: 1932
Complete Citation:
Salzedo, Carlos. “The American Left Wing.” Eolus 11 (April 1932): 14-28.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Salzman, By E.

Year: 1960
Complete Citation:
Salzman, By E. “Records: Ives: His Symphony no. 2 is Really Sophisticated.” The New York Times, September 25, 1960, X21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Salzman, Eric

Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once.” The New York Times. May 27, 1962, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1963
Complete Citation:
Salzman, Eric. “Retrospective of Avant-garde Music.” New York Herald Tribune. December 21, 1963, 6.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1966
Complete Citation:
Salzman, Eric. “Carl Ruggles.” HiFi/Stereo Review (September 1966) 17/3: 53--63.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Samaroff, Olga

Year: 1927
Complete Citation:
Olga Samaroff, “Music.” New York Evening Post (January 31, 1927): 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Saminsky, Lazare

Year: 1931
Complete Citation:
Saminsky, Lazare. “Encounters Stimulating and Otherwise.” Modern Music IX, 1 (November-December 1931): 39.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Chroniques et Notes: États--Unis, La Musique a New York, Philadelphia et Boston.” La Revue Musicale 12/120 (November 1931): 355-356.
Notes:

Quotation from article: “Boston Chamber Symphony, dirige par Nicolas Slo-nimsky, musicien brillant, nous fit connaitre une <i>Suite </i>[No. 2] tres singuliere et tres americaine de Charles Ives.”

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Lazare Saminsky, “Etats-Unis: Concerts et Premieres a New-York.” La Revue Musicale 12, 113 (March 1931): 258.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances