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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Johnson, Harriett

Year: 1965
Complete Citation:
Johnson, Harriett. “An Ives Premiere After 50 Years.” New York Post, April 27, 1965, 20.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Lawrence

Year: 1995
Complete Citation:
Johnson, Lawrence. “Patriotic Airs Fill Light Bill at Grant Park: North Sports Final Edition.” Chicago Tribune, August 21, 1995.
Notes:

Special to the Tribune.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Marc E.

Year: 2002
Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnston, Walter E.

Year: 1985
Complete Citation:
Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Jones, Isabel M.

Year: 1932
Complete Citation:
Jones, Isabel M. “American Composers Featured in Concert.” Los Angeles Times 1932, A7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jones, Isabel Morse

Year: 1944
Complete Citation:
Jones, Isabel Morse. “All-American Program Set.” Los Angeles Times, May 14, 1944 III: 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Josephson, Nors S.

Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kaenel, André

Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Kager, Reinhard

Year: 2001
Complete Citation:
Kager, Reinhard. “Stille Einkehr: Tirol auf den Spuren eines “besseren Amerika.”” Österreichische Musikzeitschrift, Vol. 56, No. 6 (2001): 66-67.
Source: Journal
VI. Topical Studies
L. Ives and America

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved.” The New York Times, February 28, 2014, C26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kakinuma, Toshie, and Mamoru Fujieda

Year: 1989
Complete Citation:
Kakinuma, Toshie, and Mamoru Fujieda. “‘I Am One of Mr. Ives' Legal Heirs’: An Interview with Lou Harrison.” Sonus: A Journal of Investigations into Global Musical Possibilities 9/2 (Spring 1989): 46-58.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kammerer, Rafael

Year: 1960
Complete Citation:
Kammerer, Rafael. “Orchestras of America Offers Lincoln Program.” Musical America 80, no. 3 (March 1960): 24.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kandell, Leslie

Year: 2012
Complete Citation:
Kandell, Leslie. “New York Philharmonic: Park Avenue Armory Concert.” American Record Guide, Vol. 75, No. 5 (2012): 32-33.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kaptanis, Arthur

Year: 1989
Complete Citation:
Kaptanis, Arthur. “Wolff’s Ives Crisp, Clear but Lacks Heft: FINAL Edition.” The Gazette (Montreal), March 22, 1989.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Karl, Frederick R.

Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.
Notes:

“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).

Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives