Kennicott, Philip
Year: 1998
Complete Citation:
Kennicott, Philip. “Schuller’s Return Blends ‘New’ Ives, ‘Old’ Masters.” St. Louis Post-Dispatch, March 2, 1998, sec. B, 2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Kennicott, Philip. “NSO, Up To the Challenge Of Ives’s Genius.” Washing-ton Post, April 27, 2001, sec. C, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kenyon, Nicholas
Year: 2009
Complete Citation:
Kenyon, Nicholas. “Review: Critics: Releases: CLASSICAL: Ives, Complete Choral Psalms SWR Vokalensemble Stuttgart/Marcus Creed.” The Observer (London, England), February 22, 2009, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Keogh, Tom
Year: 2015
Complete Citation:
Keogh, Tom. “And Now for Something Completely Different: Charles Ives’ Fourth.” The Seattle Times, January 23, 2015, E23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Kerins, Annabelle
Year: 2004
Complete Citation:
Kerins, Annabelle. “This Weekend: Queens Edition 1.” Newsday, January 23, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kerman, Joseph and Gary Tomlinson
Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America
Kerr, Harrison
Year: 1932
Complete Citation:
Kerr, Harrison. “Die Gurre-lieder and the Festival at Yaddo.” Trend 1 (June-August, 1932): 57.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “Creative Music.” Trend 2 (April-June 1933): 87-89.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. Trend 2 (April-June 1933): 36-37.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “The League of Composers Presents—Rather Tardily—Mr. Florent Schmitt.” Trend 1 (January-March 1933): 142.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Kerr, Harrison. “Creative Music and the New School.” Trend (March-April 1934): 89.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Khittl, Christoph
Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Kimmelman, Michael
Year: 1988
Complete Citation:
Kimmelman, Michael. “Concert: Marc-Andre Hamelin Plays Ives: Review.” The New York Times, January 16, 1988.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kirkpatrick, John
Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Kirkpatrick, John.
Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship