Image
Complete Citation:
Harrison, Lou. “The Rich and Varied New York Scene.” Modern Music 22/3 (March--April 1945): 181--185.
Bibliography
Genres
Harrison, Lou
Year: 1945
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1946
Complete Citation:
Harrison, Lou. “Reflections at a Spa.” Modern Music XXIII, 4 (Fall 1946): 297-298.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Harrison, Lou. “The Music of Charles Ives.” Listen: The Guide to Good Music 9/1 (November 1946): 7--9.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Harrison, Lou. “Ives, Ruggles, Varèse.” View 5/4 (November 1945): 11.Source: Journal
Reprints:
Harrison, Lou. “Ives, Ruggles, Varèse.” <i>Soundings</i>: (Spring 1974): 1-4.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Harrison, Lou. “‘Such Melodies and Clutter’: Thoughts Around Ives, 1974.” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Harrison, Lou. [1945] 1987. “Ruggles, Ives, Varese.” In View (1945). A Lou Harrison Reader,16--17. Edited by Peter Garland. Reprint, Santa Fe: Soundings Press, 1987.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Harvey, Mark Sumner
Year: 1989
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Religion.” Soundings 72/2-3 (Summer-Fall 1989): 501-525.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Haskins, Rob
Year: 2006
Complete Citation:
Haskins, Rob. “Collections: “Over Hills & Far Away.”” American Record Guide, Vol. 69, No. 2 (2006): 222.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Year: 2015
Complete Citation:
Haylock, Julian. “Recording Review: Mozart String Quartet 21 in D Major; Ives String Quartet 2; Verdi String Quartet.” The Strad, Vol. 126, (2015): 91, 93.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Hecht, Roger
Year: 2001
Complete Citation:
Hecht, Roger. “Ives: “Symphonies” (4); “3 Places in New England”; “Orchestra Set 2.”” American Record Guide, Vol. 64, No. 4 (2001): 137-138.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2001
Complete Citation:
Hecht, Roger. “Guide to Records: Ives - Symphony 2; “Robert Browning Overture.”” American Record Guide, Vol. 64, No. 1 (2001): 141-142.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2004
Complete Citation:
Hecht, Roger. “Collections - “Leonard Bernstein: the Americans.”” American Record Guide, Vol. 67, No. 5, (2004): 223-225.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2007
Complete Citation:
Hecht, Roger. “Guide to Records - Ives: Symphonies.” American Record Guide, Vol. 70, No. 1 (2007): 112-113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Hecht, Roger. Guide to Records - Ives: “Decoration Day”; “Fourth of July”; “Thanksgiving & Forefathers' Day”; “The General Slocum”; Overture; Postlude. American Record Guide, Vol. 73, No. 2 (2010): 106-107.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2011
Complete Citation:
Hecht, Roger. Ives: “Concord Symphony;” Copland: “Organ Symphony.” American Record Guide, Vol. 74, No. 3 (2011): 133-134.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2014
Complete Citation:
Hecht, Roger. “Guide to Records: Seattle Symphony - “Ives: Symphony 2; Gershwin: ‘American in Paris’; Carter: ‘Instances.’”” American Record Guide, Vol. 77, No. 5 (2014): 109-110.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Heister, Hanns Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship