Bibliography

no author listed

Year: 1979

Complete Citation:

Charles Ives: A Good Dissonance Like a Man [from E034]. Metropolitan Museum of Art Home Video Collection, Home Vision, 1979. Available in VHS and Beta videocassette format.

Source: Videocassette

XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Year: 1979

Complete Citation:

Peter Martins: A Dancer. West Long Branch, NJ: Kultur International Films, Ltd., Profile Series 1118, 1979. Videocassette.

Notes:

Includes Hallo- we’en as choreographed by Martins and danced by Heather Watts and Daniel Duell.

Source: Videocassette

XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Year: 1980

Complete Citation:

“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.

Source: Newsletter

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 1982

Complete Citation:

"Music in Time. Land of Our Fathers." James Galway's Music in Time: A Magnificent Survey of Western Music. Princeton, NJ: Films tor the Hu-manities & Sciences, 1982. Videocassette, 60 minutes, color.

Source: Videocassette

XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Year: 1982

Complete Citation:

"Are My Ears on Wrong?"—A Profile of Charles Ives [from E293]. Milton Keynes, England: BBC-TV/Open University Educational Enter-prises, Ltd., 1982. 25 minutes. Color video recording.

Source: Videocassette

XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Year: 1985

Complete Citation:

American Portrait: Charles Ives (1985), one--minute videocassette, broad-cast on CBS television.

Notes:

Copy in the Library of Congress.

Source: Videocassette

XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Year: 1985

Complete Citation:

“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.

Source: Newspaper

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 1987

Complete Citation:

“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1991

Complete Citation:

“Notes for Notes.” Notes 48/2 (1991): 449.

Notes:

Tells of a $99,619 grant to the Charles Ives Society from the National Endowment for the Humanities for a thematic catalogue.

Source: Journal

VI. Topical Studies
V. Awards

Year: 1991

Complete Citation:

“Up Front.” Musical America (1991).

Notes:

Regarding a bill in the Connecticut Legislature to name Charles Ives as State Composer of Connecticut. After debate, Ives was named Composer Laureate for the first year.

Source: Journal

VI. Topical Studies
V. Awards

Year: 1993

Complete Citation:

“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.

Source: Newspaper

VI. Topical Studies
N. Ives’ Childhood

Year: 1994

Complete Citation:

“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.

Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1994

Complete Citation:

“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.

Source: Letter

VI. Topical Studies
M. Ives and Manhattan

Year: 1994

Complete Citation:

“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1995

Complete Citation:

Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1996

Complete Citation:

“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.

Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1997

Complete Citation:

Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1998

Complete Citation:

“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.

Source: Magazine

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 1998

Complete Citation:

Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Notes:

<a target="_blank" href="http://archives.news.yale.edu/ybc/v26.n26.news.01.html">Program of events listed at: http://archives.news.yale.edu/ybc/v26.n26.news.01.html. </a>

Source: Festival

VI. Topical Studies
O. Ives and Yale

Year: 1998

Complete Citation:

Inaugural Celebration of the Classical Music Hall of Fame. Music Hall, Cincinnati, Ohio, May 24, 1998.

Notes:

See also Editorials in Cincinnati Post (May 22) and Cincinnati En-quirer (May 24).

Source: Ceremony

VI. Topical Studies
V. Awards

Bibliography

Genres

no author listed