Burkholder, J. Peter, James Sinclair, and Kenneth Singleton
Year: 1993
Complete Citation:
Burkholder, J. Peter, James Sinclair, and Kenneth Singleton. “Panel Discussions: The Influence of Popular Music on the Works of Ives and Cop-land.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Burkholder, J. Peter, Jan Swafford, Judith Tick
Year: 1996
Complete Citation:
Burkholder, J. Peter, Jan Swafford, Judith Tick. “Panel: Musical Life in America Then and Now.” Panel presented at Charles Ives and His World Festival, Bard College, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America
Burkholder, Peter
Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Burpee, Charles Winslow
Year: 1939
Complete Citation:
Winslow, Charles Burpee. The Story of Connecticut, 80-81. New York, NY: American History Co., 1939.Source: Book
VI. Topical Studies
L. Ives and America
Burton, Humphrey
Year: 1994
Complete Citation:
Burton, Humphrey. Leonard Bernstein. London, United Kingdom: Faber and Faber, 1994.Notes: Discusses Symphony No. 2 (p. 205 and 299).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Butterworth, Neil
Year: 1985
Complete Citation:
Butterworth, Neil. The Music of Aaron Copland, 118, 170, 179, 191. London, United Kingdom: Toccata Press, 1985.Notes: Cites Copland’s early insights into music of Ives, includ-ing “the major weakness of Ives through his lack of self-criticism.”
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cadieu, Martine
Year: 1974
Complete Citation:
Cadieu, Martine, “Charles Ives, or America of the 'First Romance.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 238-241. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1977
Complete Citation:
Cadieu, Martine, “Charles Ives, or America of the ‘First Romance.’” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 238-241. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Cage, John
Complete Citation:
Cage, John. “Two Statements on Ives.” In A Year from Monday: New Lectures and Writings, 36-42. Middletown, CT: Wesleyan University Press, 1967.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The Dream and Dedications of George Antheil.” Modern Music 23/1 (Winter 1946): 78-79.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The East in the West.” Modern Music 23/2 (Spring 1946): 111--115.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Cage, John. "History of Experimental Music in the United States." In Silence. Middletown, CT: Wesleyan University Press, 1961.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
“Two Statements on Ives.” In John Cage. A Year from Monday: New Lectures and Writings, 36-42. Middle-town, CT: Wesleyan University Press, 1967.Notes: Includes a letter to Michael O. Zahn of Milwaukee.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Cage, John. A Year from Monday: New Lectures and Writings, 42. Middletown, CT: Wesleyan University Press, 1967.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Cage, John Cage. Notations. West Glover, VT: Something Else Press, 1969.Notes: Exam-ples of composers’ manuscripts. Includes a reproduction of a blank page of music paper with Charles Ives's signature.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1979
Complete Citation:
Cage, John. "The Future of Music." In Empty Words. Middletown, CT: Wesleyan University Press, 1979, 179-180.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cahill, Greg
Year: 2004
Complete Citation:
Cahill, Greg. “Editor’s Note.” Strings, Vol. 19, No. 3 (2004): 8.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2012
Complete Citation:
Cahill, Greg. “Matheson Awarded Ives Composer Prize.” Strings, Vol. 26, No. 9 (2012): 13.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Callens, Johan
Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes: In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles