Ewen, David
Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.Source: Book
VII. Entries in Larger Volumes
D. Other
Year: 1949
Complete Citation:
Ewen, David. American Composers of Today: A Biographical and Cri-tical Guide, 130-132. New York, NY: H.W. Wilson Company, 1949.Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.Notes: 1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.
Source: Chapter in Book
Reprints: Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1954
Complete Citation:
Ewen, David. “Charles Ives." In Ewen's musical masterworks: the encyclopedia of musical masterpieces. New York: Bonanza Books, 1954.Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Favre, Roger
Year: 1990
Complete Citation:
Favre, Roger. “Ives, Charles.” In Encyclopédie des grands maîtres de la musique. Paris, France: Hachette, 1990.Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Feder, Stuart
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Notes: Used Ives’s diary as a “musical autobiography” with commentary.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “Charles Ives’s ‘Transcendental Tune of Con-cord’.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Finney, Theodore M.
Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,Source: Book
Reprints: Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.
VII. Entries in Larger Volumes
A. Textbook Accounts
Frankenstein, Alfred
Year: 1960
Complete Citation:
1960 - Alfred Frankenstein. “Charles Ives: A Musical Transcendentalist.” In The Unforgettable Americans, edited by John A. Garraty, 323-326. Great Neck, NY: Channel Press, 1960.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Gail, Dorothea
Year: 2013
Complete Citation:
Gail, Dorothea. “Charles Ives: la musique comme fabrique de l’existence.” In Théories de la composition musicale au XXe siècle. Lyon, France: Symétrie Publisher, 2013.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Gann, Kyle
Year: 1997
Complete Citation:
“Forefathers” Chapter — Gann, Kyle. American Music in the 20th Century. New York: Schirmer, 1997, 7-17 and passim.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Geselbacht, Raymond H.
Year: 1975
Complete Citation:
Geselbacht, Raymond H. “Transcendental Renaissance in the Arts: 1890-1920.” New England Quarterly LIII (1975): 463-486.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Glanville-Hicks, Peggy
Year: 1973
Complete Citation:
Glanville-Hicks, Peggy. “Ives, Charles.” In Grove’s Dictionary of Music and Musicians, vol. 4, 560. 5th ed. New York, NY: St. Martin’s Press, 1973.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Goldman, Richard
Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Golemba, Henry
Year: 1976
Complete Citation:
Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Gorlinski, Gini
Year: 2010
Complete Citation:
Gorlinski, Gini. “Charles Ives.” In The 100 most influential musicians of all time. New York, NY: Britannica Educational Publishing, 2010.Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Grannis, Lewis C.
Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints: Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts