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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
C. Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Lapsley, James N.

Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

LaRocca, David

Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Laskowich, Lisa

Year: 2003
Complete Citation:
Laskowich, Lisa. “Charles Ives: a reference guide for college students in thirty-three sketches.” D.M.A. Thesis, Manhattan School of Music, 2003.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lee, Brian

Year: 2004
Complete Citation:
Lee, Brian. “Death, determination, and denouement : the musical diversity of Charles Ives's Piano trio.” D.M.A. Dissertation, The Juilliard School, 2004.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lefebure, Leo D.

Year: 2013
Complete Citation:
Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Liao, Hsiang-Chi

Year: 2006
Complete Citation:
Liao, Hsiang-Chi. “The evolving perception of Charles Ives and his music.” Ph.D. diss., West Virginia University, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lindley, Nancy Eagle

Year: 1993
Complete Citation:
Lindley, Nancy Eagle. “Singer Radiana Pazmor and American Music: The Performer as Advocate.” Ph.D. diss., University of Maryland. Col-lege Park, 1993.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Little, Francis E.

Year: 1971
Complete Citation:
Little, Francis E. “Humor and satire in selected songs of Charles Edward Ives.” D.Mus. thesis, 1971.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Liu, Francis M.

Year: 2011
Complete Citation:
Liu, Francis M. ““Vintage Modernism”: Early Experimentalist Music for Violin in the United States.” D.M.A. diss., University of Maryland, College Park, 2011.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lo, Chau-Yee

Year: 2004
Complete Citation:
Lo, Chau--Yee. “Endangered Species: The Harpsichord and Its New Repertoire since 1960.” Ph.D. diss., University of Leeds, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lotto, Albert

Year: 1978
Complete Citation:
Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lück, Hartmut

Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Lyman, Zachary Taft

Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lynn, Debra J.

Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.
Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Maltz, Richard Steven

Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Martin, Warren Charles

Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Massey, Drew

Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mauk, David C.

Year: 1999
Complete Citation:
Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.
Notes:

Remarks about A Sym-phony: New England Holidays: “Washington'sBirthday"; Orchestral Set No. I: Three Places in New England: "Putnam's Camp”; Sonata No. 2, Concord, Mass., 1840- 1860," for piano: "Hawthorne"; Sym-phonies Nos. 2 and 3, and Symphony No. 4: second and third move-ments.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

McCandless, William Edgar

Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McClendon, Jr., James Wm.

Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy