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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

Addiss, Stephen

Year: 1957
Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Banyai, Istvan

Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Boardman, Katherine R.

Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.
Notes:

Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.

Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Bounds, Charles Evans

Year: 1951
Complete Citation:
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.” M.M. Thesis, North Texas State College, 1951.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Bourne, Patricia Gerald

Year: 1961
Complete Citation:
Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward Ives.” A.B. thesis, Radcliffe College, 1961.
Source: A.B. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Bower, Tim

Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.
Source: Caricature
Reprints:

Reproduced: announcement for an American Composers Orchestra concert.

XVI. Photographs and Artwork
B. Artwork

Breger, Leonard

Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.
Notes:

Includes a likeness of Ives.

Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork

Brotman, Adolf E.

Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.
Notes:

Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Broyles, Michael

Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Buk, False

Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.
VI. Topical Studies
A. Transcendentalism or Philosophy

Burk, James M.

Year: 1973
Complete Citation:
See: James M. Burk. “From Our Readers.” Music Journal 31/10 (De-cember 1973): 38.
Source: Postage Stamp
XVI. Photographs and Artwork
C. Other

Burk, James Mack

Year: 1977
Complete Citation:
Burk, James Mack. An Hour with Ives. 1977. In The Charles Ives Festival- Conference, Oc-tober 19, 1974: Brooklyn.
Source: Photograph
Reprints:

Made around the Ives house in West Redding and Danbury. [No original photographs of Ives.] Also includes slides made from other photographs including those printed in books. The James Mack Burk Collection also con-tains prints of photographs taken and printed by Sipprell, Erskine, and Rathburn.

XVI. Photographs and Artwork
A. Photographs

Cameron, Janet

Year: Year unlisted
Complete Citation:
Cameron, Janet. “An Analysis of the First Movement of the First Piano Sonata by Charles Ives.” Seminar paper, University of Illinois, year unlisted.
Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays