Image
Complete Citation:
Anderson, Jack. “City Ballet Joins ‘Ivesiana,’ ‘Calcium Light Night.’” The New York Times. May 28, 47.
Bibliography
Genres
Anderson, Jack
Year: 1978
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1992
Complete Citation:
Anderson, Jack. “Review/Dance; Lubovitch Vignettes Set to Ives: Review.” The New York Times, January 31, 1992.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times. October 14, 1993, sec. C: 18.Notes:
Like Ives’s music, Ms. Blankert’s production combined tough mindedness with sentiment.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times. June 15, 1999, sec. E: 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Andriessen, Louis
Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ashley, Roberta
Year: 1965
Complete Citation:
Ashley, Roberta. “Ballet Goes Pop: Look what the Stately San Francisco Ballet is Up To.” The Sun, April 11, 1965, WM11.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Ballantine, Christopher
Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ballentine, Christopher
Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Barnes, Clive
Year: 1966
Complete Citation:
Barnes, Clive. “Ives sans Currier.” The New York Times. December 5, 1966: 65.Notes:
“It is a strange engrossing bal-let. Charles Ives was a strange, engrossing composer.” John Tuvas, choreographer.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes:
Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes:
References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Bernheimer, Martin
Year: 1976
Complete Citation:
Bernheimer, Martin. “Dance Review: ‘Ivesiana’ by L.A. Ballet.” Los Angeles Times, August 3, 1976, E7.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Buchau, Stephanie von
Year: 1976
Complete Citation:
Buchau, Stephanie von. “Meeting Mr. Ives.” Opera News 40 (May 1976): 39-40.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1976
Complete Citation:
Buchau, Stephanie von. “San Francisco.” Opera News 40/22 (May 1976): 39-40.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Burkholder, J. Peter
Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation:
Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1998
Complete Citation:
Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale [Keynote Address].” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints:
Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale.” <i>College Music Symposium</i> 39 (1999): 27--42.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Year: 1999
Complete Citation:
Burkholder, J. Peter. “Ives and Yale: The Enduring Influence of a College Experience.” College Music Symposium 39 (1999): 27-42.Source: Journal
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Burkholder, Peter
Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing