Image
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Bibliography
Genres
Henderson, Clayton W.
Year: 1974
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Hitchcock, H. Wiley
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ives, Charles
Year: 1937
Complete Citation:
“Ives, Charles.” In Who’s Who Today in the Musical World (1937), 58, 191-192.Source: Magazine
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Kirkpatrick, John
Year: 1980
Complete Citation:
Kirkpatrick, John. “Ives, Charles E.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London, UK: Macmillan Publishers, 1980.Source: Article
Reprints:
Kirkpatrick, John and Paul C. Echols. “Ives, Charles E.” In <i>The New Grove Dictionary of American Music and Musicians</i>, edited by H. Wiley Hitchcock and Stanley Sadie. New York, NY: Macmillan<i>, </i>1986. * Kirkpatrick, John, et. al. “Ives, Charles E.” In <i>The New Grove 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein</i>. New York, NY: New York: W.W. Norton, 1998: 1-52.
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
MacLeod, Lynne L.
Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.Notes:
Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Malone, Andrew Lindemann
Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Marshall, Dennis
Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Metzer, David Joel
Year: 2007
Complete Citation:
Metzer, David Joel. Quotation and cultural meaning in twentieth-century music. Cambridge, United Kingdom: Cambridge University Press, 2007.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Morgan, Robert P.
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick
Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Newman, Ron
Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ostendorf, Berndt
Year: 1998
Complete Citation:
Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Owens, Tom C.
Year: 2009
Complete Citation:
Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Rasmussen, Karl Aagi
Year: 1975
Complete Citation:
Rasmussen, Karl Aagi. “Music on Music — a study of quotation and college.” Lecture, First American Music Conference, Keene University, England, April 18-21, 1975.Source: Lecture
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Riegger, Wallingford
Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ringer, Alexander L.
Year: 1990
Complete Citation:
Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Sales, Grover
Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing