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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Slominsky, Nicolas

Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Starr, Larry

Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Thurmaier, David

Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tick, Judith

Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.
Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing

Young, Percy Marshall

Year: 1954
Complete Citation:
Young, Percy Marshall. A Critical Dictionary of Composers and Their Music. London, United Kingdom: Dennis Dobson Books, 1954.
Notes:

Claims that the Concord Sonata was given its world premiere at the International Society for Contemporary Music meeting in 1928 at Salzburg. Lists very few Ives works “for per-formance and study.”

Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Zobel, Mark Alan

Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”
Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing

no author listed

Year: 1940
Complete Citation:
“Ives, Charles Edward.” In Baker's Biographical Dictionary of Musi-cians, edited by Nicolas Slonimsky, 545. 4th ed. New York, NY: G. Schirmer.
Notes:

There was no entry for Ives in the first two editions, 1900 and 1905, edited by Theodore Baker, nor in the Third Edition, 1919, edited by Alfred Remy.

Reprints:

5th ed., 1958: 765--766. 6th ed., 1978: 804--806. 7th ed., revised by Nicolas Slonimsky, 1984: 1092--1095. 8th ed., revised by Nicolas Slonimsky, 1990: 832--833. 9th ed., 2001 (Centennial Edition), 6 volumes. Nicolas Slonimsky, Editor Emeritus; Laura Kuhn, Baker's Series Advisory Editor. “Ives, Charles E.” by Nicolas Slonimsky/Laura Kuhn/Dennis Mclntire, Volume 3: 1683--1685. * Supplements, edited by Nicolas Slonimsky, 1965: 61; 1971: 110.

VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1951
Complete Citation:
“Ives, Charles Edward.” In Who is Who in Music, edited by J. T. H. Mize. 5th ed. Chicago, IL: Who is Who in Music, Inc., 1951.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2016
Complete Citation:
“Charles Ives.” In Recueil biographique sur divers compositeurs dont le nom commence par les lettres I à K: dossier biographique. Bytom, Poland: Frodo, 2016.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries