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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hamm, Chelsey L.

Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hanks, Sarah Elizabeth

Year: 1963
Complete Citation:
Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Harer, Carolyn Bertha

Year: 1955
Complete Citation:
Harer, Carolyn Bertha. “Charles Ives and a stylistic analysis of his three piano sonatas.” M.M. Thesis, North Texas State College, 1955.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Harrison, Lou

Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Hartford, Kassandra L.

Year: 2002
Complete Citation:
Hartford, Kassandra L. “Gertrude Stein and Charles Ives: American modernists.” B.A. Honors Thesis, Departments of American Studies and Music, Mount Holyoke College, 2002.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Harvey, Mark Sumner

Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.
Source: Ph.D. Dissertation
Reprints:

Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Harvin, Laurence E.

Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Henderson, Clayton

Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Henderson, Clayton W.

Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henderson, Joyce Joy

Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Henerson, Clayton Wilson

Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Higgins, Raymond Harris

Year: 1975
Complete Citation:
Higgins, Raymond Harris. “A conductor's analysis of selected works by Dave Brubeck, Lukas Foss, Alan Hovhaness, Charles Ives and Daniel Pinkham.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hilliard, John Stanley

Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hinton, Hugh

Year: 2002
Complete Citation:
Hinton, Hugh. “Ives and transcendentalism: a third look.” D.M.A. dis-s., New England Conservatory of Music, 2002.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hitchcock, H. Wiley

Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.
VI. Topical Studies
B. Musical Quotation or Borrowing

Hodges, David W.

Year: 1967
Complete Citation:
Hodges, David W. “An analytical study of the songs of Charles Ives.” M.A. Thesis, Central Missouri State College, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Holmes, Thomas Stephenson

Year: 1966
Complete Citation:
Holmes, Thomas Stephenson. “Charles Ives: the four violin sonatas.” B.A. Thesis, Reed College, 1966.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Hong, Seung-Ah

Year: 2012
Complete Citation:
Hong, Seung-Ah. “Selected Piano Sonatas from the Early- through Mid-20th Century.” D.M.A. diss., University of Maryland, College Park, 2012.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hurst, Rolland W.

Year: 1971
Complete Citation:
Hurst, Rolland W. “A Study, Analysis and Performance of Selected Songs by Charles Ives.” Ph.D. diss., Columbia University, 1971.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hutchinson, Mary Ann

Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” Master’s diss., Florida State University, 1970.
Source: Master’s Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses