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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
C. Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Stieglitz-Goffre, Anne-Marie

Year: 1982
Complete Citation:
Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.
Source: ?
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stojanovic, Gordana

Year: 1972
Complete Citation:
Stojanovic, Gordana. “The study of polyphony and rhythm in selected works by Charles Ives.” M.A. Thesis, University of California, San Diego, 1972.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew

Year: 2016
Complete Citation:
Stout, Andrew. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew H.

Year: 2016
Complete Citation:
Stout, Andrew H. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Struble, John Warthen

Year: 1978
Complete Citation:
Struble, John Warthen. “The Concord Sonata of Charles E. Ives: A Reference for Pianists and Scholars.” M.A. thesis, University of California at San Diego, 1978.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sulouff, Jack F.

Year: 1985
Complete Citation:
Sulouff, Jack F. “The second violin sonata of Charles Ives: a thematic analysis.” Northern Illinois University, 1985.
Source: M. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sundell, Steven Lynn

Year: 1973
Complete Citation:
Sundell, Steven Lynn. “Charles Ives' use of simultaneity to conflict and blur tonality: the projection of multiple layers of music in "Putnam's camp" and related sources.” M.M. Thesis, University of Wisconsin-Madison, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Thomson, Alexander J.

Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: An Analysis and Application of His Scoring Techniques.” M.S. thesis, Western Connecticut State Uni-versity, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: an analysis and application of his scoring technique.” M.S. Thesis, Western Connecticut State University, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Thurmaier, David

Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tick, Judith

Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.
Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing

Ufema, Cathryn Fekla

Year: Year unlisted
Complete Citation:
Ufema, Cathryn Fekla. “The Choral Psalms of Charles Ives.” M.A. Thesis, Pennsylvania State University.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ura, Yuichi

Year: 2008
Complete Citation:
Ura, Yuichi. “A composer/conductor's insights into creative processes in composing and conducting original and core repertoire.” M.M. thesis, St. Cloud State University, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Urban, Marshall Linwood

Year: 1988
Complete Citation:
Urban, Marshall Linwood. “An investigation into elements of abstract compositional language, program, and philosophical expression in Charles Ives' "General William Booth Enters into Heaven”.” M.M. thesis, Boston University, 1988.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Vulpi, Frank

Year: 1982
Complete Citation:
Vulpi, Frank. “Charles Ives’ Concord Sonata: transcendental unity and mechanic form.” M.A. thesis, Ohio State University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wagner, Jeanine F.

Year: 1981
Complete Citation:
Wagner, Jeanine F. “A comparison of Charles Ives’ “The Children's hour” and Carl Ruggles’ “Toys”.” M.M. thesis, Southern Illinois University at Carbondale, 1981.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing